Serpentine

An unexpected bit of Promotion on the blog today:

Serpentine is now live on Kickstarter!

This collection of poems by Tara K. Shepersky features loads of full-page watercolor illustrations by me and gorgeous printing from our publisher, Bored Wolves. (You can even grab our first collaboration, Tell the Turning, as part of the campaign—not to mention a host of other goodies like postcards and special bookplates by calligrapher Amber D. Stoner.)

A selection of watercolor paintings from the book, Serpentine.

The book is a love letter to a particular river in Northern California, and to Tara’s peregrinations from north to south along various West Coast highways and byways over the course of her lifetime. Her work is contemplative, rich, tender, and full of love. It’s an honor to be in conversation with her words through watercolor. When describing the book, she writes:

Serpentine is blue and green: many shades, from cerulean to viridian to young-alder to haze-above-the-Pacific. She’s soaked with sun, even when the particular poem takes place at night or in deep shade. Sunshine permeates. Blooming permeates. Celebration permeates. Refuge permeates. Serpentine reaches out to help you shuck your anxiety and displacement. I hope Serpentine will turn out to be a strong companion for you, as she has been, for a very long time, for me.

Once again: HERE’S THAT KICKSTARTER LINK. This is a short campaign (just two weeks!) so I’ll be writing about it again with some more watercolor work before things wrap up.

Emerald City: Pre-Show Commissions & Show Details

Hi friends,

Emerald City Comicon is upon us in just a couple weeks, which means it’s time for pre-show commission sign-ups!

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Here’s the drill: I have a limited number of slots for folks to get artwork done before the show—this means a little more care and attention can go into your pieces, and they’ll be ready to pick up whenever you swing by my table at ECCC! Prices and contact details can be found below.

Speaking of my table, here’s a map of where I’ll be on the show floor [Booth 1214 with the rest of Periscope]:

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(Note: I am totally not this buff and tattooed.)

Emerald City is a whopping four days this year, so there’s really no excuse not to swing by and say hello. I’m bringing lots of minicomics, stickers, prints, buttons, and anthologies, plus I’ll be taking preorders for Baggywrinkles: a Lubber’s Guide to Life at Sea (due out August, 2016).

So here’s the run-down on commissions:

1. Little Paintings (Full Color /3×4″ = $35, 4×6″ = $45)

These cuties are done on high quality cold press watercolor paper and measure either 3″ x 4″ or 4″ x 6″. Featuring a bird or animal of your choice with an optional word balloon, they’re ideal gifts or tiny talismans of your favorite beasts.

2. Pin-Ups (Full Color / 9×12″ / $70)

These are larger pieces with minimal background elements and one or two figures. More figures generally equal higher costs, but let me know what you’re after and we’ll work together to achieve it!

3. Ships (Full Color  / 12×16″ / $300)

A handsome portrait of a tall ship of your choosing on a calm (or tempestuous) sea! 12″ x 16″, full-color, lotsa rigging guaranteed. These are substantial pieces and make excellent gifts.

[A note on all commission options: if any of these strike your fancy, but you’re on a budget, ask about greyscale or ink-only work to cut the cost a bit.]

Sign-ups are limited since there’s only a couple weeks before the show, so shoot me an email at lucypcbellwood [at] gmail [dot] com and let’s get rolling! Payment for commissions is due up front via PayPal or your online money transference service of choice. All pieces will be ready for pickup at Emerald City Comicon in Seattle April 7th-10th.

See you in Seattle!

New Merch: “Fair Winds” & “Blissful Indifference” Postcards

I’m releasing two new postcard designs this week!

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They’ll be coming in sets of 5 for $5—a mere buck-a-postcard—so hop over to my store to pre-order, or read on to learn more.

Many moons ago I drew this in a sketchbook to celebrate the passage of time and its marvelous effect on giving a shit about things.

GiveaShitWho among us has not encountered a previously fraught circumstance, only to find that the anxiety, stress, and strain surrounding it has completely dissipated? What a relief. So I’m printing up a batch of glossy, UV-coated 4×6″ postcards to celebrate the sensation. Preorder a set here to ensure you’re in the first wave.

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Postcard mockup!

For the more nautically-minded among you, I’ve whipped up this illustration of the brigantine Irving Johnson of the Los Angeles Maritime Institute, sailing away with a classic sailors’ valedictory phrase. Send it to far-flung friends or keep it for yourself as a reminder that calmer times are ahead.

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Both cards feature space for an address, stamp, and message on the back, like so:

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Tres chic! Check out the whole selection of postcard offerings here. Enjoy!

England, Ho!

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In case you haven’t heard, I’m on my way to England! I’ll see all you US cats in three weeks. The laptop is staying here in my absence, so please expect some delays on email communication. I’ll be around on Twitter, most likely, and posting art as I go. If you’re around London on the 20th there might even be a sketch meet-up. Keep your eyes on the web for more details.

If you’re in the UK this month, be sure to come say hello at Thought Bubble in Leeds November 15th and 16th. Otherwise I’ll catch you when I’m back in the States at the end of the month.

Huge thanks to all you Patreon supporters and kind-hearted Thought Bubble Fund contributors. You made this happen. I’m so grateful.

P.S. Want some comics to tide you over till I return? Down to the Seas Again is up in its entirety for free on The Nib! Check it out here.

“Setting Realistic Goals” Talk @ Making Comics MOOC

So this is something of a new game for me: in a few weeks I’ll be speaking on a panel of creators as part of a Massive Open Online Course (MOOC) run by MakingComics.com. The CEO, Patrick Yurick, was actually at CCS the same summer I went through my Comics Conversion and started doing this stuff for living, so it’s pretty neat to see where the two of us have ended up after four years.

The course is free and open to the public, with a pretty minimal time commitment and a rockstar line-up of creators ready to talk about four key topics as each week of the course goes by. It’s like a panel discussion where you can log in and ask questions in real time. The course is perfect for those of you looking to launch a comic or learn more about the process of going from idea to finished product.

Here’s the flier for the week I’ll be participating:

fwebLook at all those cool dudes! We’re gonna get technical up in this business — motivational techniques, time management, maintaining momentum oooooh yeahhhhh. However! To attend the talk you’ll need to register for the course (again: FREE) before this Saturday. If you’d like to learn more before you register, or take a gander at the other weeks’ guests, click here — there’s a great FAQ about how the MOOC is structured and run.

Hope to see you online April 9th! And be sure to register this weekend to participate.

The Cartozia Tales Kickstarter is LIVE

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You’ve heard me shouting about it for months and end, and now the day is finally here! The Cartozia Kickstarter Campaign has launched with an incredible outpouring of support from fans all over the world. I’m so excited to share it with you.

In case you’ve missed it the last fifteen times I’ve gushed about Cartozia on the web, it’s an all-ages fantasy series set in a shared world and brought to life by a core team of eight indie cartoonists. With the guidance of our fearless editor Isaac Cates, we’ve published the first two issues on our own dime, and now we’re aiming to fund an entire year’s worth of 40-page issues. It’s an audacious campaign, but I have faith that we’re going to knock it out of the park.

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From story to story and issue to issue, we swap characters and locations via a game of chance, building on one another’s ideas to create a dynamic narrative landscape. Two guest stars per issue help keep things fresh, and we’ve got some incredible names on the project (James Kochalka! Brittney Sabo! Evan Dahm! Eleanor Davis! Dylan Horrocks!).

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I’m fairly certain this type of storytelling has never been done before on such a scale, and the results so far have been fantastic — immersive and playful for kids, engaging and complex for adults. We’re making Cartozia Tales because we think the world needs more comics that will attract young readers and let them celebrate adventure, curiosity, exploration, and fun, but we can’t make it happen without your help.

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If you want to dive in and make this thing happen, here are some ideas to get you started:

1. Pledge to the campaign.

2. Spread the link (especially to parents and teachers!).

3. Find us on Twitter @Cartozia and get in touch.

4. Reblog this post on Tumblr.

5. Learn more about the world, our contributors, and our methods on the homepage.

6. Invite your friends to the campaign event on Facebook!

I’ll be posting more news as I get it, but right now the biggest goal is setting this campaign off to a roaring start. I can’t wait to see where it goes. As an added incentive, here’s a full gallery of all the ridiculous dances I was giving away earlier this week to celebrate early subscribers to the series:

 

That’s A Wrap

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After ten days of non-stop insanity, Mr. Tambourine Man is FINISHED. I’ll be submitting the story to Rock Ink Roll tomorrow morning after a few final tone tweaks. I’m so pleased with how this thing came out, and I’m thrilled to be working with Shannon Campbell again. (We’ve got another project in the works for August, so keep your eyes peeled for that.)

I did let myself celebrate by sleeping in until the ungodly hour of 10:30 this morning, so with that R&R under my belt it’s time to hit the drawing board again for square one of the next project. Wish me luck!

Erika Moen (New Comic!)

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Let me tell you guys about Erika Moen.

I started reading Erika’s autobio series DAR long before I’d ever considered drawing comics for a living. Her hilarious, honest snapshots of life encompassed the struggles of being a creative person, the joy and humor of sex, and the complexities of personal identity. The comics were brave and open and unlike anything else I’d read on the web or in print. They inspired me. I remember attending the Portland Zine Symposium in 2009 and being too embarrassed to go up and talk to her. Other shows followed, and eventually I managed to say hi a few times. She started to recognize me vaguely from show to show. I bought a lot of books. One year I unthinkingly set a punnet of strawberries down on her display and felt so mortified when she asked me to move them that I fled the convention, convinced I would live in infamy as That Horrible Strawberry Lady. Anyway, point being, I thought Erika was the best, but I was pretty sure we’d never be friends.

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Fast forward six years. Since finding out about Periscope through Erika getting a position there, I’d finally worked up the courage to apply for their internship. After working at the Studio for several months, I was asked to stay on as an assistant. During that time, I found myself working alongside one of my original inspirations for getting into making comics in the first place. I was starstruck and terrified at times, but everyone was so welcoming and helpful that soon I began to feel like I belonged.

Erika recently launched a new project called Oh Joy, Sex Toy, a weekly webcomic reviewing — you guessed it — instruments of pleasure. I’ve always been impressed by her openness when it comes to talking about sex, and the comic has been a delight so far. (It is, of course, very not safe for work, so click that link at your own risk.)

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When we were flying back from the Toronto Comic Arts Festival a few weeks ago, Erika mentioned that she was swamped with work this month and concerned about finding time to draw enough. Screwing up my courage, I dared to volunteer my services as a guest artist. “Oh my gosh, would you?”

UH, YES. YES I WOULD.

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So here we are, ten days later. I managed to tie my boat-loving tendencies into a beginner’s guide to rope bondage (again, obviously NSFW). I crammed in extra hours of inking in cars and on bar counters during VanCAF this weekend. I scrambled for reference materials and resources to create the best comic I possibly could. I panicked about putting something out with my name on it that departed from my usual, family-friendly fare.

And then I showed it to Erika.

And she was thrilled.

This person I’ve admired for six years, this person who inspired me to start down the crazy life path I’m suddenly blazing along — this person thinks I’ve done something cool.

It’s been a wild year — from funding True Believer last May to starting at Periscope to publishing new comics to tabling at conventions far and wide — but this just about takes the cake. I’m so happy and proud to be doing the work I’m doing, I’m excited for all the projects I have coming up in the next few months, and I’m insanely grateful to all the people who have supported me thus far.

Of course, I’m also an absolute wreck from doing shows every other weekend for the past month, and from pushing myself on all these deadlines, but I’m very, very glad to be where I am. Which is in bed. Preparing to sleep for as long as I possibly can.

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(Thanks for reading my mush, you guys. I’ve got the warm fuzzies pretty hardcore right now.)

Periscope Portrait

I’m sad to report that my internship at Periscope Studio officially came to a close on February 27th. It was an amazing four and a half months, but I’m not going to write too much about what being there meant to me. Not only because I’ll get all mushy and start crying on you guys, but also because…

I’M NOT GOING ANYWHERE! That’s right. I know. I don’t believe it myself, but it’s true. I get to stay. At Periscope. For the foreseeable future. (I’m trying to use real words to talk about this rather than just replacing every letter in this sentence with an exclamation point, can you tell?)

Now, I’m only a lowly Studio Assistant, but it means I’ll continue to work alongside an incredible group of dedicated, powerhouse artists who inspire me to improve every day. If I have to run blogs and scan pages and help with shipping to make that happen, I’m more than happy to do so.

ANYWAY. That’s some of the big news I’ve been sitting on for a while. And boy howdy am I excited about it.

To thank everyone at the Studio for being so welcoming and helpful, I spent part of last week drawing up this group portrait of all the members. Ain’t they a studly bunch?

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I’ll be away in California for the next three weeks helping out with a family medical situation, but I hope to keep you all abreast of what’s on the drawing table during that time. (And I should note that any orders you place in the store while I’m gone won’t ship until I return on April 3rd! Thanks for being patient.)

So long for now!

Assorted Doings

Hello everyone!

Still recovering from Emerald City over here, but I’m excited to say that I’m well into inking my story for Symbolia Magazine, which will basically be my full-time job for the next few weeks. Things will be quiet while I’m working on that, but afterwards it’ll be on to Baggywrinkles #4 and beyond! I’ll post previews as I can.

In other news, blogger Greg Burgas picked up a copy of True Believer at the convention, and was kind enough to give it a very thorough review on Comic Book Resources this week. Here’s a teaser:

“[Death can] become hackneyed, the way a writer approaches it, but Bellwood manages to let the emotions come out without going too far and getting into mawkishness […] As we move through the book, it becomes more intense and more personal, in a way that grabs the reader and doesn’t let go […] ‘True Believer’ is an intense work that has a lot going on in it, and Bellwood transitions easily between many different moods.”

What a guy! You can read the whole thing here.

For those of you who stopped by, thanks for saying hello! To those who couldn’t make it, never fear. I’ll be at tabling at the Stumptown Comics Fest next month with all these goodies and more.

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When we met, Greg was also quite taken with the table’s  squeaky walrus, so here’s the ridiculous photo he took of my cheesiest convention face.

Aaaaand finally, Grace Allison did a wonderful marker coloring demo at Periscope yesterday, so here’s the portrait I whipped up to practice on (we only had super skinny scraps of Bristol. Can you tell?).

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Until next time, friends!