Let’s take a brief trip back in time to January, 2016.

When Jessica Abel started posting the podcast adaptation of her storytelling handbook Out on the Wire, I was totally hooked. The series pulled from her own robust career and from interviews she’d done with luminary radio hosts and journalists, but took a wider stance on applying their lessons to an essential question:

What makes stories work?

I appreciated her candor at not knowing the first thing about making a podcast, and simply figuring it out as she went. I enjoyed the camaraderie of listening to ideas and practice exercises from other listeners. Most of all, I loved the way it helped me think about my storytelling work from a nonjudgemental, process-oriented standpoint. It was a community—not just a product.

So I tweeted about the show and how I much I was enjoying it, which I think is why she ended up watching this talk I’d given at The Animation Workshop in Denmark and following me on Twitter. It was one of those “WHOAAA A REAL CARTOONIST IS LOOKING AT ME WHAT DO I DOOO” moments, which I can tell you from experience everyone has. Jessica co-authored Drawing Words and Writing Pictures, which was a really formative book for me back when I was getting into drawing comics and couldn’t find a program that had the rigor I really wanted from a formal perspective.

Fast forward to this summer, when she wrote and told me she’d been teaching workshops about a creature called The Should Monster that was super similar to my inner demon. Jessica’s students had pinned their inner critics to the page, just as I had, in order to defuse their power.

Should Monsters from Jessica’s students

Then she asked if I would be interested in collaborating on a live, online event—part interview, part Q&A—where we could discuss work-life balance, creative practice, and social media.

WELL, DUH.

I was beside myself with excitement—especially because our dates aligned with the launch of my new Kickstarter, which explicitly deals with overwork and self doubt and a million other things.

And then she wrote this essay about it and I had to come to grips with the idea that somewhere along the way, I had become a working cartoonist. And what’s more, I was good at it. I had learned some things that other people might find useful, and someone I really admired wanted to get that knowledge out to a wider group of people.

It’s not going to silence the little voice that claims I’m a phoney forever, but it’ll definitely do for today.

So here’s our upcoming event!

What:

Demons and Monsters with Lucy Bellwood and Jessica Abel

Join us on Crowdcast to talk about

  • building an audience for your work,
  • using Patreon, Kickstarter, and self-publishing to pay (some of) the bills,
  • and fighting off the Should Monsters and Self-Doubt Demons that want to stop us from making it.

Ask your questions and get some answers!

There will be a replay for those who can’t make it, but you only gain access by registering, so be sure to sign up either way.

WHEN:

July 25 (next Tuesday) at 12:00 noon Pacific, 3 pm Eastern, 9 pm European.

WHERE:

At this link: https://www.crowdcast.io/e/demons-lubellwoo !

This event will be online in real time. You can join us from anywhere via Crowdcast, the online platform we’ll be using to stream. (There’s even an app if you’ll be out on the beach and still want to tune in.)

So reserve your spot here, and we’ll see you soon!

(I’m really, really looking forward to this one.)

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