I’m back with an appearance on today’s Oh Joy, Sex Toy! It’s been a spell since my last guest comic for Matt and Erika’s charmingly sex-positive series, so I’m thrilled to return and help them with their, eh-hem, overflow of supplies.
Check out my full review of the We-Vibe Sync here!
It’s time for another installment of my favorite comics holiday: Hourly Comic Day! Every year on February 1st, creators around the world draw a panel (or panels) for every hour they’re awake. This is my eighth year participating, and I love it more and more each time around. It’s a great opportunity to reflect on where I’m at in my career, what’s changed in the past year, and how I’m feeling about the future.
(Full disclosure: while I penciled all eight of these pages on February first, I inked and painted about five of them on February second. I always want to watercolor my hourlies and never let myself do it so this year I got indulgent. Worth it.)
These were all drawn on 6×9″ Strathmore mixed media paper with a mix of Kuretake and PITT brush pens, Daniel Smith watercolor, and a 2H pencil.
Thanks for reading! You can check out my previous entries for Hourly Comic Day at the following links: 2017, 2016, 2015, 2014, 2013, 2012, 2011.
I’ve been thinking a lot about bodies and strength and power and how we look vs. how we feel and what it means to love yourself, so I distilled all that thinking into a little autobio comic. It’s been a slow, fascinating journey to where I’m at now, and I’m far from finished. It’s just good to feel a change. Enjoy!
If you follow me elsewhere on social media, you know I’ve got a massive penchant for drawing challenges. Inktober is a perennial favorite, so this year I tackled 31 6×6″ watercolor paintings of sunrises and sunsets. Each image was painted from life wherever I happened to be on each day of the month, starting with a basic silhouette of the sky at dusk or dawn.
The final result spanned Portland, Long Beach (WA), New York, and Richmond, and looked something like this:
While prints of all these images are available in my online shop right now, I’ve also decided to sell off the original paintings themselves to help raise some end-of-year cash to help with book printing in 2018.
Buyolympia will be listing the originals (unframed) in batches of 5 over the next few weeks every Tuesday and Thursday. If there’s one you’ve got your eye on, be prepared to act fast! The framed pieces that pre-sold at Portland’s tiny llama gallery earlier this week went real quick.
You can check out the current selection at Buyolympia and take advantage of their free shipping promotion to snag some other gifts for the holiday season while you’re at it. Happy shopping!
For the past three months, as part of the 100 Day Project, I’ve been illustrating a daily dialogue with the little voice in my head who tells me I’m no good. (You might recognize him from my Inktober drawing challenges from the last couple years.)
I just drew the 100th entry this morning and I’ve been so overwhelmed by the response to the project. Hearing from people who see themselves reflected in these drawings makes my heart swell. I’ve also heard from a lot of people who want to own these comics for themselves! So here’s what we’re gonna do about that:
Today’s Kickstarter launch will fund both softcover and hardcover editions of the book. I am very excited about the whole thing. Here are some of the special features I’m aiming for:
The Kickstarter will also be funding a run of PLUSH DEMONS to keep you company as you do battle with your own voices of anxiety and self-doubt. This little fella will measure about 15″ from tip to tail, and can easily sit up on any surface you care to place him on. (If you’d like to read all about what it takes to produce a plush toy from start to finish, I just did an in-depth blog post about it over on Tumblr.) Here’s a look at the prototype:
The Print Shop!
Lots of folks asked for prints of particular demons, but since producing, stocking, and shipping 100 different print types is a massive headache for a long creator like myself, I’ve partnered with the fine folks at Buyolympia to provide archival-quality prints of any demon your heart desires. The store is almost ready, and I’ll be sure to link to it here on the blog once it’s up.
Greetings, friends! I’ve got a new comic in the world!
There’s a lot of talk about Wonder Woman in the world right now, thanks to the new film about her opening this weekend, but who is she really? You can head over to The Nib today to read all about her history as a feminist icon, patriotic symbol, and modern warrior thanks to writer Sarah Mirk, colorist Joey Weiser, and myself! I’m really pleased with the final result of our efforts.
This is my seventh year doing Hourly Comic Day, and it’s really such a delightful thing. For those that aren’t familiar: it’s a global art project where folks draw a panel for every hour they’re awake on February 1st. It’s a wonderful way to discover new artists, take a look at what everyone’s up to, and chronicle a day out of each year. This year I just happened to be wrapping up a couple weeks in Hawai’i, so there’s a bunch of tropical escapades in here.
You can read the whole comic over here on Medium. I love having these annual visual check-ins that remind me of where I’ve been every February since I was a junior in college—especially if this tropical trend continues. Wonder where I’ll be in 2018…
Did any of you participate? I try not to read people’s till I’ve posted my own, since it wigs me out and I get self-conscious, but now I am FREEEEEE. Link me to your entries in the comments or on Twitter.
It’s been a busy week here on the island of O‘ahu. After completing our three-week ocean crossing aboard R/V Falkor last Monday at 8:30am, the ship immediately went into prep mode for a host of different events to help promote the results of our cruise. Chief among these was getting the gallery show at The ARTS at Marks Garage open, which meant getting my land legs back as quick as I could in order to hang all my completed pages from the comic I’d just drawn at sea.
The opening party on Friday night was a truly fantastic time, and I’m so grateful to everyone who came out. It was also Chinese New Year, so we had a visit from some dragons!
If you happen to be in Honolulu, the show is up through February 3rd, and features all the original artwork from my comic and work from all the other Artist-at-Sea participants from the last three years. There’s painting, animation, fiber arts, music, and (my personal favorite) A KNOT BOARD MADE OF ETHERNET CABLE.
My inner fancywork nerd is screaming with glee.
SO: now that all that’s over, and I’ve taught a variety of classes to high schoolers and kindergarteners at local schools, it’s time to release the finished comic online. CUE TRUMPETS:
You can read the entire comic and learn all about multibeam mapping right here, and the PDF is free to download on Gumroad (just enter $0 at checkout and you’ll be able to download it without paying a dime). In keeping with Schmidt Ocean Institute’s open sharing of information policy, the comic is licensed under Creative Commons Non-Commercial/Attribution, so you can print it, color it, share it—whatever you want, as long as you aren’t turning a profit and you provide credit to the original source.
Physical copies of the comic will be available in the next few months. If you’d like to be first in line to know when that happens, you can sign up for my email list here (I send out updates once a month).
Thanks, as always, to my stalwart supporters on Patreon, who directly enable me to take these trips and bring back educational comics for you all to read and enjoy.
This trip with OHP was a great opportunity to refine my practice of joining organizations as an embedded cartoonist, merging the duties of a deckhand (line handling, climbing aloft, maintenance, etc.), educator (teaching classes on scurvy and nautical trivia with Baggywrinkles as my de facto textbook), and artist (frantically sketching the students and their activities at every turn). Each trip I take I feel like I’m getting a better handle on this format, and how best to adapt it to different kinds of experiences.
While I completed all the artwork during my time aboard, getting the scanning, cleanup, and formatting squared away in-between all my traveling from August to November proved tricky, hence the lengthy lagtime. I’m thrilled to finally have it all put together. Here’s a look at the trip in photos:
The Oliver Hazard Perry is America’s newest sail training vessel. You can learn more about her and her programs at OHPRI.org.
Big thanks to my supporters on Patreon for making this comic possible! If you want to join them and get a behind-the-scenes look at these pieces as they come together, head on over here.
I had a ton of fun wrapping up these watercolor paintings for my top-tier backers on the Baggywrinkles Kickstarter last week. Here’s a look at the final lineup of paintings:
Clockwise from upper left, we’ve got El Galeon (hiding behind PDX YAR’s First Mate), L’Hermione, Brig Niagara, and Kalmar Nyckel (in disguise under a different paint job, for reasons outlined in this Tumblr post).
In the process of getting all of these done, I learned a bunch about making time-lapse videos, which you can check out below:
I put up an informative essay each month about some aspect of my creative process, along with a load of other content for folks to read/watch/listen to/generally enjoy. I serious adore Patreon as a platform for making more of this work possible, so if you haven’t already checked it out, go take a peek! (There’s a lot of free stuff there, too, if you don’t want to commit to chucking some money my way each month.)