New Year, New Hats, New News!

Hello everyone! It’s 2013! Isn’t that crazy? I think so.

This year was my first as a Real Live Cartoonist, and it’s been a hell of a ride. I was about to start writing a list of all the stuff that happened, but I got exhausted just thinking about it. Let’s just say A Lot of Stuff went down. Comics, dance, work, travel, freelance, moving, breakups, unbreakups, practice, growth, change — and 2013 just keeps looking better. I have another two months at Periscope (which, for the record, is the most inspiring and wonderful work environment ever), two of my comics will be published by people who are not me before July, there’s a new issue of Baggywrinkles in the works, and it’s looking like I’ll be traveling to at least FIVE conventions this year. I’m excited, inspired, and ready to make more art. What more could a girl ask for?

I also got a very kind mention in Tony Cliff’s 12 from 2012 list for Paste Magazine. Tony is the mastermind behind the adventures of Delilah Dirk — one the most beautifully-executed and delightful webcomics out there today. I’m immensely chuffed to see Baggywrinkles alongside such an impressive gaggle of names, and I highly recommend that you go check out the rest of the group. There’s just too much awesome stuff happening in comics right now.

Speaking of awesome stuff, here’s some exciting news! The story I’m illustrating for Symbolia Magazine is now officially underway. Here are all my thumbnails laid out and ready to go:

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The issue with our story won’t be out until June, but expect several sneak peeks as I work through pencils and inks over the next couple months. Sarah Mirk has put together some really powerful stories, and I can’t wait to start working on them in earnest.

Weekly drawing challenges continue unabated. Here are the 50 Hats I promised last week:

HatsDone

And I’m making noises about doing an alphabet series involving figures from Classical Greece — gods, goddesses, heroes, legends, etc — as a tactic for improving my inking technique. Here’s a photo of the Athena sketch that got me started on the idea.

athena

If you have any favorite Greek figures, perhaps you’d care to leave their names in the comments? I’ll probably be taking suggestions as I go…

Apart from that, work continues unabated. I’m in California until next week, and then it’s back to the grey northwest for more drawing, more food carts, and more…nope, those are basically the only two things I’ll be paying attention to for a while. OH! I’m also going to be teaching some workshops later this month: Freelance Badassery and Kickstarter Bootcamp. Keep an eye out for dates and times as soon as I have them.

OKAY. PHEW.

We’re really done now.

Sketchbook Update

This week I revisited an exercise given to me by my awesome mentor Eben Matthews almost ten years ago.

In one of our early meetings Eben asked me what my least favorite thing to draw was. Like any budding 13-year-old artist I immediately pulled a face and said “hands.” He smirked and told me to come back with 100 of them drawn by our next session. I glowered and grumbled, but truth be told it was a deeply valuable exercise that stuck with me for a long time (even after he made me draw 100 feet the following week, the scum!).

While recently looking at lots of inspirational animation captures of beautifully rendered, expressive hands, I realized how long it had been since I’d drawn those first 100 and decided to do it again. I sketched a lot of them during classes, but also used various photo references and even some of the animation stills to get an idea of how to effectively simplify the anatomy.

Rather than a week, this took me about five hours altogether. It feels so good that I may have to start doing it more often. A decade is a little too long.

As you can see, I devolved a little at the end there and started drawing eyeballs and classmates — one of whom happens to look an astonishing amount like the female protagonist of Dylan Meconis’ spectacular comic, Family Man. Who knew?

And, to round things out, here are a couple quick sketches of puppets from the amazing John Frame exhibit currently showing at the Portland Art Museum. Strange, fascinating stuff if you get the chance to go see it.

That’s all for now! I’ve got some really exciting news and projects on the horizon, but I can’t share them quite yet, so I’ll try to keep the little illustrations coming.