Life at Sea with R/V Falkor

Happy New Year from the Pacific Ocean!

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I’m writing today from the outer lounge of R/V Falkor, the research vessel I’m currently working on as an artist-in-residence. At this very moment we’re motoring through the middle of nowhere, but thanks to our Very Small Aperture Terminal (VSAT) there’s satellite Internet on board!

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One of two fiberglass domes on Falkor’s main deck. These domes protect the satellite dishes within from ocean conditions, while still allowing them the mobility necessary to maintain a connection.

The science team on board are surveying the ocean floor using multibeam mapping, and I’m doing my darndest to learn all I can about their methods and draw a summary comic for the Schmidt Ocean Institute during our 3-week transit from Guam to Honolulu.

We’re collecting data all the way, but our specific area of focus is the seafloor around the Johnston Atoll, which has never been mapped using this particular technology.

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(This is a map from a previous research expedition with NOAA, but it gives a helpful idea of location relative to our eventual port of call.)

So far the trip has carried us across hundreds of miles of the Pacific, with roaring trade winds tossing the spray into white crests around the ship. I’ve never done an open-ocean crossing like this one before, so it’s been even more of a thrill than usual to scramble up the companionway every morning to drink in the view.

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The surf kicked up around the ship is never the same twice.

The crew are very welcoming and ready to assist with the science operations, and we’ve been having daily lectures on subjects like the Mariana Trench and its surrounding islands, the history of sonar, and the intricacies of multibeam data.

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Since it’s not every day you find yourself on a state-of-the-art research vessel, I thought I’d answer some general questions from Twitter! Here’s what everyone was curious to know:

How loud are the engines?

Quite loud on deck! My berth is two decks down, so it’s fairly insulated from the noise when I’m sleeping at night, but there’s a general rumble at all times. Between the rush of the wind and sea and the roar of the engines, you have to speak up to be heard when you’re outside.

How are day-to-day tasks different here than on a sailing ship?

Unlike previous trips where I’ve been embedded with a tall ship crew, there’s not much for me to do here from a vessel maintenance perspective. There are no lines to haul or sails to furl—the crew generally keep themselves occupied with navigation, engineering work, and watchkeeping duties. There’s still lots for them to do, but a lot of it is outside my area of expertise, so I’m getting on with the drawing work.

The science team is monitoring the control room as we map the ocean floor to get a sense of what we’re passing over, the marine technicians are processing data and making sure the systems and sensors stay online (you can even follow live cruise data here), and the housekeeping staff do an amazing job of keeping everything spick and span. The vessel is more of a floating research station than anything, so there are more departments with greater specialization, rather than a collective team who all take turns handing various tasks.

This leaves me somewhat at loose ends—I’m used to being more active—but I’ve got my work cut out for me when it comes to creating this comic, so I’m taking all the time I can to draft blog posts, work on outreach projects, and script the story that will explain our time here to the outside world.

How does the vessel handle?

Given that we’re motoring against the trade winds, the ride has been a little choppy. We did adjust our course to a lower latitude so that the wind is coming at us aslant rather than right on the nose, which means we’re not being slowed down quite as much. In the next few days we’ll turn north toward the Johnston Atoll.

There are stabilizers on board, which help keep things relatively level, but we still make liberal use of Non-Slip Shelf Liner—just like I do back home on my angled drawing board!

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How are you getting along with the scientists? Was there any friction to start?

The science team are fantastic! We have a wide range of specialties, so I’m learning a lot about the terrain we’re covering from various angles (oceanographic, geologic, etc.). They’ve all been very patient with my barrage of questions about how things work and the lengthy time it takes for me to work out anything mathematical.

Is there a lot of turnover in the research crew?

Different research teams join Falkor every time there’s a new cruise. This particular trip is unique in that it’s a hybrid Transit Cruise. The ship needed to get back from Guam to Hawai’i, and John Smith (our lead scientist) applied to piggyback some of his mapping research on top of the already-scheduled travel days. All three of the science crew have been aboard Falkor before for various other research trips, so while there’s a high turnover from trip to trip, the overall pool of people associated with the vessel is pretty well-connected.

There are five of us “outreach” crew members: myself, Andrew (Graduate Student from Guam), Brocks Jr. and Sr. (Ambassadors from 11th Hour Racing, a program of the Schmidt Family Foundation, and Sail Martha’s Vineyard, a maritime training program benefitting underserved populations on the island of Martha’s Vineyard), and Jena (High School Teacher from Hawai’i).

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The Outreach Team! Photo by Mónika Naranjo González.

Is there an initiation rite for new crew?

I’ll get back to you. So far nobody’s covered me in krill.

What’s the best part? What’s the worst part?

Best: Working on deck with the whole world swaying and the air whipping around like warm silk—especially after months of Pacific Northwest winter.

Worst: Trying to draw straight lines in a rough seaway.

What’s everyone eating?

Our chefs, Peter and Greg, are magnificent. Before I arrived a lot of the shoreside support team were cooing about how lucky I was to be going aboard because of the food, and now I see what they were talking about. In addition to a steady supply of snacks and treats, we get really magnificent meals three times a day (with an extra late-night meal for those standing watch). I mean, just look at this New Year’s Day feast:

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Wait, I thought pigs were bad luck on boats?

I hadn’t heard that one before! (Most of my interest in pigs has been around their history as a good luck tattoo.) A cursory Google suggests that pigs are considered bad luck specifically on fishing vessels, which might explain why I hadn’t heard of the notion before. If anyone has anecdotal evidence: leave a comment!

What are the bathrooms like?

Ahh, the perennial question. Like everything else on the vessel: SUPER NICE. I’m so impressed by the standards of cleanliness and design everywhere on this ship. The heads (that’s what they’re usually called on board) are relatively small, but well cared-for, clean, and modern. I’m used to the old torture-chamber-type pump action heads, but these ones flush with the touch of a button like a standard toilet.

The major restriction: only toilet paper can go down them—absolutely no chemical cleaners—because the waste system is biological! The bacterial colonies responsible for breaking down waste in the blackwater tanks are very sensitive, so we can only use a special cleaning solution for the toilet bowls. I’ll see if I can’t snag the chief mate and find out a little more about how this specific system works, since I’m curious myself.

That’s probably enough for today, so I’ll get back to sketching this very complicated-looking hydraulic sea crane. If you have more questions about life at sea, drop me a line in the comments or on Twitter at @LuBellWoo! You can also read up on the rest of the cruise outreach by following #MappinTheFloor on Twitter, Instagram, and Facebook.

Time-Lapse Boats

I had a ton of fun wrapping up these watercolor paintings for my top-tier backers on the Baggywrinkles Kickstarter last week. Here’s a look at the final lineup of paintings:

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Clockwise from upper left, we’ve got El Galeon (hiding behind PDX YAR’s First Mate), L’Hermione, Brig Niagara, and Kalmar Nyckel (in disguise under a different paint job, for reasons outlined in this Tumblr post).

In the process of getting all of these done, I learned a bunch about making time-lapse videos, which you can check out below:

And if you’re curious about the tools used for these projects, here’s a sneak peek at a post I put up for my supporters on Patreon all about my watercoloring setup:

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I put up an informative essay each month about some aspect of my creative process, along with a load of other content for folks to read/watch/listen to/generally enjoy. I serious adore Patreon as a platform for making more of this work possible, so if you haven’t already checked it out, go take a peek! (There’s a lot of free stuff there, too, if you don’t want to commit to chucking some money my way each month.)

More news coming next week! Stay tuned.

New Comic: Sail Cargo Resurgence

Hey friends,

Fittingly, I’m writing this blog post from the deck of the Oliver Hazard Perry, a new tall ship in Rhode Island that I’m currently working aboard as a visiting artist. But that’s secondary to the following exciting news of the day: I’ve got a new comic up on The Nib!

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For the last few months I’ve been researching and illustrating this brief introduction to the modern world of sail cargo—a movement driven by environmentalism, optimism, and countless volunteer hours. There are a surprising number of operations around the world working to convert tall ships into viable cargo-carrying vessels—or build new ones from the ground up.

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It’s a trend I find deeply fascinating, and my only regret was not being able to fit more of my research into this introduction. The sailors working on these vessels are the embodiment of enthusiasm and dedication, and I really enjoyed talking with them during my research.

Of particular interest right now: Sailcargo Inc. are launching their Kickstarter to build a dedicated cargo vessel (Ceiba) from scratch in Costa Rica! Keep an eye on their website for details on the launch.

Fairtransport are also making great strides in building a coalition of sail cargo vessels around the world. Their website has a wealth of information, including vessel tracking and more. View all the ships in their network here.

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Brigantine Tres Hombres, Photo Credit Hajo Olij

Of course there are also efforts being made to implement modern sailing technology on existing container ships at a grander scale. To learn more about the DynaRig technology behind parts of that movement, check out this article. There’s some fascinating stuff afoot, and even though it’s moving slowly, progress is being made.

I’ll have more news after my week aboard the Perry, but until then, enjoy the comic!

Fair winds,

Lucy

Baggywrinkles Available on ComiXology

If all this Baggywrinkles news has you itching to read the book before it officially hits shelves on September 9th, I have excellent news: the book is now available on ComiXology!

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Big thanks to the team at ComiXology Submit for getting the book up and running on the site, and for giving it pride of place in the Indie New Releases section. We also got a lovely shout-out on Dave Carter’s Digital Comics Picks of the Week feature, alongside fabulous titles like Lumberjanes, Island, The Fix, and Howard the Duck! Thanks, Dave.

Buy the ebook edition here.

The Baggywrinkles East Coast Book Tour is still going strong, with three stops left on the docket. Here’s a reminder of those dates:

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If you’re planning on heading to New York or D.C., be sure to RSVP and invite your friends on Facebook. Here’s the event page for Fantom Comics in D.C., and here’s the one for the South Street Seaport Museum in New York!

See you soon,

Lucy

East Coast Tour: June 4th-19th

What ho, friends! I come bearing exciting news today: the Baggywrinkles East Coast Tour Extravaganza is officially launching this week and I’ve got ALL THE TOUR DATES lined up and ready to share. Here’s the plan:

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(Huge thanks to my pal Heather Cummings for helping with design and layout for all my tour graphics!)

As you can probably see above, I’ll be hitting tour stops in Portland, Mystic, Boston, DC, New York, and Ann Arbor over the next couple weeks. Some conventions, some book stores, some comic shops, and some MARITIME MUSEUMS (oh yes). It’s going to be a wild and crazy adventure and I really can’t wait to get out to see some maritime history and meet all you East Coast pals who I never get to hang out with!

Here are more details, listed by event:

I’ll be bringing copies of Baggywrinkles: a Lubber’s Guide to Life at Sea to all these locations (not to mention postcards and other treats), and would love to sell you a copy/talk about boats/draw in whatever you have handy.

Not in the area? Still keen to pick up a copy of the book? Here’s a handy graphic you can convey to your local comic shop or book store to pre-order a copy.

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I’ll be posting tour stop updates to Twitter all throughout the trip, so keep an eye out there if you’d like to help spread the word about upcoming events!

See you in Portland (the other one),

Lucy

TCAF this Weekend: Panels, Placement, Debut News & More

There is a fabled holiday in the East, my friends. A weekend celebration of comics and friendship SO GREAT, SO VAST it has been known to BLOT OUT THE SUN. Under a single roof one may find the grandest collection of independent comics practitioners in the Western Hemisphere. There is where friendships are forged in the fires of community bonding, where children frolic in the aisles and parents stagger forth laden with armfuls of glorious sequential material.

Yes, that’s right: it’s TCAF TIME!

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It’s no secret that TCAF is pretty much my favorite show ever. The audience, the venue, the exhibitors, the panels—everything there is just the greatest, and I’m so proud to announce that Baggywrinkles: a Lubber’s Guide to Life at Sea will be making its debut at this year’s festival!

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Can you tell I’m excited?

Here’s a sneak peek at the lovely advance run of books that we had printed just in time:

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A real book! With a spine and everything! Ahh!

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AND JUST LOOK AT THESE COLORED PAGES:

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Swoon.

Okay so here’s the deal: you want to say hello? I’ll be on the SECOND FLOOR of the Toronto Public Library this weekend, Saturday and Sunday, from 9-5 and 10-5, respectively. Admission is FREE! My table number is 279, and here’s a handy map of where to find me (along with fellow rockstar neighbors Katie and Shaggy Shanahan, Tony Cliff, Kean Soo, Tory Woollcott, Meredith Gran, and Mike Holmesdang, y’all):

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It’s gonna be a party.

In addition to tabling at Table 279, you can also find me at the following events (during which time I will, obviously, not be at my table—plan accordingly!):

Saturday, 1:30 – 2:30 —  Comics 101: How to Start Publishing Your Comics
(Marriott: Summerhill Room)

Reading comics is not enough and your passion for the medium has manifested into the next form — making them! Self-publishing your own comics will be a snap with the helpful expert advice of indie comics pubs and creators Raighne Hogan (2dcloud), Hazel Newlevant (Chainmail Bikini), Lucy Bellwood (Baggywrinkles), Kevin Czap (Czap Books). Moderated by Rachel Kahn.

Saturday, 2:45 – 3:45 — Niche Comics (The Pilot, 22 Cumberland)

Sure we all love comics, but what’s the other thing that makes you light up like an incandescent bulb? Specialization isn’t just key to evolution—it can help bring new focus to your work and encourage readers to learn from (and share!) your enthusiasm. Join Kate Beaton (history), Erika Moen (sex and sexuality), Lisa Hanawalt (horses), and Lucy Bellwood (boats) for a discussion of how niche interests can lead to diverse, vibrant careers.

Sunday, 11-11:30 — Draw-Along Kids Room (Toronto Reference Library Appel Salon)

Bring out the inner artistry of your little ones at the Draw-Along Kids Room! All day, we are cycling in the best of childrens’ comics artists to draw alongside our youngest attendees. Come by and let your imaginations run wild with real, live cartoonists!

SEE YOU THERE, YOU FABULOUS BEASTS.

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Light in the Eyes

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Something a little different today: a process GIF from a recent illustration commission! This cat portrait was done start-to-finish in Manga Studio with Frenden’s blue pencil and Hairpin Sable inker brushes.

You notice how the cat really comes alive in that last frame when the white highlights in the eyes come into play? Every time I add those to a piece I get this really vivid memory of going to art classes as a kid.

My teacher’s name was Sharon Butler. She was a realist painter from South Africa who painted waist-high stones to look like living cheetahs, crouching in the greenery outside the studio. The two rooms in her establishment were filled with the perpetual, chalky scent of pastels and Prismacolor pencils. We’d get pieces of illustration board handed out every time a new project began, cut down to the appropriate size. I completely lost track of time every session I spent there. My only job was drawing, as well as I could.

This was pre-internet, so Sharon kept a morgue file in the inner room. It was a metal filing cabinet—dull beige and taller than I was at the time—crammed full of photos and magazine clippings. There were folders for horses and dolphins and birds and architecture and chairs and people and costumes. Every manilla folder had a grouping by subject, and since Google simply wasn’t around yet we’d fight over who got the best picture of the dolphin to draw from.

I drew a lot of animals when I went to those classes with Sharon. She’d stop by while I was struggling to render a hummingbird as something other than a crude cartoon, giving suggestions on how I could better train my eye to see what was actually in front of me. The second-to-last touch, before the fixative stopped our pastel smudges from scattering off the page, was to add a dot of white in each eye. She taught us to use a Q-Tip or the back end of a paintbrush.

At the time it felt like wizardry—the amount of life that tiny dot of white could bring to an otherwise flat animal.

It still does, kind of.

The 100 Day Project

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Those of you following me on social media may’ve noticed a new series of drawings going up over the last couple weeks! I’m participating in The 100 Day Project, which comes to us via Elle Luna and The Great Discontent. The premise of this project is simple: make something every day for 100 days. That’s all. Could be anything; a written word, a cake, a joke, a drawing, a button. I’ve actually been pitching it as a do anything for 100 days project—so one could even eat an apple a day or something similarly arbitrary. I think it’s the regularity of the ritual that’s important. There’s also value in creating something small every day and using the exercise to break down our inhibitions around perfection, but regularity breeds ritual, and ritual can take many forms.

Anyway, I’ve opted to use up the many, many Scout Books and Field Notes sketchbooks I’ve been accumulating from various events by chronicling 100 objects in my possession with words and pictures.

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Notebooks from Linework NW (designed by Lisa Congdon), XOXO (designed by Brendan Monroe), Reid Psaltis, Scout Books, and Erika Moen.

The format involves a drawing, however crude, and as much context about the item as I can cram on the page. It started here:

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And has continued apace for the last couple weeks.

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I love projects like this that require relatively little commitment on the day-to-day, but add up to something vast over time. I’m really excited to see where this goes. If you’d like to follow along, take a peek at my Instagram page or follow along on Twitter.

“Bombshells” are Here!

So as some of you may or may not be aware, I sit next to my friend Erika Moen when working at Periscope Studio. She takes a lot of reference photos for her fantastic comic, Oh Joy, Sex Toy, and since we’re perpendicular to one another I’m in a seriously ideal position to photobomb basically all of them.

We’ve been joking about putting together a zine of all these photographic masterpieces, and this month I finally thought “Why not?” and ordered a whole bunch of them. So, without further ado, allow me to present: BOMBSHELLS.

You can grab a copy in person at Emerald City Comicon later this week! The show runs Thursday-Sunday, and I’ll have a limited number of copies on hand to sign and sell. Find me at Booth 1214 with the rest of Periscope, or head to Erika’s table just across the aisle at 1322!

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Hourly Comic Day 2016

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Hello, friends—it’s time for another installment of everyone’s favorite working holiday: Hourly Comic Day! This is my sixth(!!!) year participating which, for those of you who aren’t familiar, involves drawing a panel or two for every hour you’re awake on February 1st. It’s a lovely way to create a time capsule of your drawing style and general life trajectory over time, and I always enjoy to sense of creating something start-to-finish in a single day.

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You can read the whole story over on Medium! Enjoy—I’m really proud of how this batch turned out.

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[Previous years: 2015, 2014, 2013, 2012, and (gulp) 2011.]