A Collection of Small Things

I’d never even heard of Infinity Zines before, but this one Kori made is just stunning:

Then there’s a tiny essay Anne sent me in the mail that’s modeled on a cootie catcher. It’s about care and capitalism and giving and receiving, but it’s more complicated to photograph than I have the energy for tonight, so this is just to say that I am having a lot of feelings about unusually-formatted zines lately. I think they’re very good.


A photo of Lucy's desk with four half-inked comics pages on it.

I’m inking my entries from Hourly Comic Day, which knocked me on my ass this year. It’s not that it was a lot of work (I mean, it was), but more that it forced me to really look at what’s happening in my life during this season. To examine the monotony and poignancy and fear and humor of caregiving. To feel as if part of me is still trying to maintain a life like the life I had when I did Hourly Comic Day last year (and the year before that, and the year before that, and so on x 10).

Not wanting to draw my dad because to draw someone you have to really look at them and sometimes it’s too painful to look at him.

And then also understanding that sometimes the best thing I can do is look at my pain.


An ink drawing of a lumpy, leafless tree with two tiny people at the base of it.

I hosted another Chill Drawing Hangout on Zoom earlier today and it was lovely. I’m grateful to know so many people who are willing to gather and be generous with each other and enjoy making art together. I’m going to do my best to make it a monthly practice, which means next one’s March 4th from 12-2pm Pacific. (That’s one day before we’re due to open a show of the collages I’ve been making with my dad, so I’m anticipating that I will be a mess, but that probably also means a couple hours friendly drawing will be much-needed.)


I want to write properly about how long it’s taken me to realize that one of the MANY reasons I’m in love with Lewis Hyde’s A Primer for Forgetting is that it’s basically a blog in book form. So many small chapterlets subdivided into loose categories, all titled with brief words or phrases, all circling similar themes. It’s how I think about what I’m doing here (or with my Rambles)—building a database over the course of many months of Stuff I Am Thinking About so that someday I can surprise myself by finding out the seeds of the next thing have been germinating for longer than I’ve known.


Nisabho’s been recording meditations and sharing them online, which I only realized recently while trying to Google the name of the monastic community he’s working to establish up in Seattle. We went to college together (he features very prominently in True Believer, the first comic I funded on Kickstarter) and he’s remained one of my lighthouse humans. Anyway, Wednesday this week was rough and so I found myself listening to this half-hour talk on grief and mourning to try and cope. It was so lovely—like we were still walking together in the early dark of Portland in October 2020. He recited the same Mary Oliver poem for me on the sidewalk there. I got to share my 100 Day Project with him and his parents.


This post is basically Sarah Ruhl’s 100 Essays I Don’t Have Time to Write, although she was caring for small children when she wrote it, but I feel an increasing affinity with anyone who’s doing 24/7 care work these days.


Okay that’s enough small things, back to doing dishes.

What Goes Around

Okay, listen: I’ve been pretty consumed lately with barking up my own mental redwood tree about patronage and interdependent communities and what it means to try and support artists during late-stage capitalism, but this morning I got an email from my friend Luke Kruger-Howard that felt like turning around and realizing that this isn’t just one goddamn redwood. There’s a whole forest out there.

Luke’s email (and it was an email, addressed tenderly to many friends, which is the kind of thing I love getting) announced a new physical publication (Goes #1), released under the aegis of a new publisher (Goes Books), but it stopped me in my tracks because there was something different going on.

He wasn’t running a crowdfunding campaign. He wasn’t encouraging people to preorder. He wasn’t even asking for money.

Instead, I got to read this sentence:

This comic will be free for all readers, gifted by other anonymous readers along the way.

Hear that? It’s the sound of my heart exploding.

The only encouragement in the email, beyond asking people to talk about it which, like, DUH OF COURSE HOW COULD I NOT TALK ABOUT THIS I WILL NEVER SHUT UP ABOUT THIS, is to sign up to receive a free copy of the comic in the mail. That’s it. 2,000 copies of this new beauty are headed into the world and they will all be gifts. I already have so many questions! Is there a Mysterious Benefactor who financed the initial print run so that, potentially, every copy could simply be given away even if nobody chose to pay it forward? Or is there no initial capital beyond Luke’s own savings and this is just a massive trust fall? Is it more or less of a trust fall than running a Kickstarter?

Whatever the answer, I’ve never rushed to give somebody $20 faster in my life.

In the delightfully-illustrated financial transparency page, Luke writes:

This is an investment in the relationship between artist and reader—between stranger and stranger. Financial profit is not possible here.

The comic will always be free.

The comic will always be free.

A screenshot of the Goes Books website with the title Pay It Forward. 
The body text reads: would you like to gift a copy of goes to another stranger or strangers?  simply use the button below to pay with paypal or credit card. no financial profit is had in the making or distribution of 
these books. money received by goes books will be put toward gifting copies of these books to other readers. any money earned beyond that will be donated to charity. it takes about $4 to make and send a copy of goes to a stranger - more or less than that is perfectly wonderful, friend. <3

Oh yeah also P.S. any money raised beyond what’s needed to pay forward all copies of the comic will be donated to RAICES. HELL YES TO THIS.

I’m going to save all the other yelling I want to do about this for Friday because you can bet your ass I texted Luke the moment I finished reading the email and begged him to sit down for an interview. If there are things you’re interested in hearing us talk about, let me know.

Antlers

There’s a list I began in a notebook a while ago that I thought would be short, but it turned out to be long. It’s full of people I know who’ve decided to move, or who’ve made the shift to building shared lives with their relatives, or who are able to support themselves in a creative career somewhere relatively rural.

Looking over it, I realize I’ve been tracking this for a long while. Not interrogating people, mind you, but nosing around. Peering through windows. That kind of thing.

Isabella’s on that list.

We met at the Chicago Alternative Comics Expo in 2014. I still have the copy of her thesis project that I bought there—a gorgeous, oversized accordion book full of fluid aquatic illustrations set to the text of a sea shanty.1 We were clearly destined to be friends, but we lived in different places, so we stuck to garden variety mutual cartoonist admiration—the kind that simmers over social media and receives the occasional top-up from tabling at the same shows. She’s got a magnificent eye for production and packaging design, makes lovely, unusual things, and every so often comes out with something that just wraps up everything hiding in my heart and makes it visible and known.

Do you need to know all of that? Probably not. The important thing is that she just released a new comic and I think it’s glorious.

1. Turns out she originally exhibited it as a series of hanging tapestries and I think that’s just so fucking cool.

Rose City Comic Con This Weekend

Hey Portland friends!

Just a courtesy notice that I’ll be tabling at Rose City Comic Con this weekend and celebrating the print debut of my newest comic, Rim to River!

IMG_0772

If you want to try before you buy, you can even read the whole thing online right here. I’m so thrilled with how these puppies came out. Come snag one for yourself! Here’s the details of where you can find me and the rest of my compatriots from Periscope Studio:

RCCCPreview

As you can see here, I’ll also be appearing on the Comics Journalism panel on Saturday morning at 11am in Room 5. Should be some good discussion around bringing real-world stories to life on the page. More details on the Rose City Comic Con site. Hope to see you there!

Stay Baggy, Stay Wrinkly

It’s been a long haul, folks, but here we are:

BAGGYWRINKLES VOL. 1 IS NOW OFFICIALLY UP FOR SALE IN THE EMPORIUM!

I don’t want to contemplate how much time I’ve spent folding and punching and sewing this week, but the net result is 100 copies of my very first minicomic ready to be flung into your waiting arms — and I have to say, it looks pretty awesome. 3 bucks gets you 8 pages of nautically-themed goodness on attractive paper with a handsome cover and hand-stitched binding.

SO MANY WRINKLES!

 

The next mountain? VOLUME TWOOOOOOO!

(…and a crazy letterpress edition of a friend’s poetry, several smaller comics about mythology and my colossal clumsiness, and a proposed project dealing with displacement and the dual citizen experience.)

STAY TUNED!