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2024 in Reading

Turns out I’m two years behind on these so I’m getting ’em up! No commentary because I gotta run out the door to ink more pages of Seacritters, but hopefully I’ll come back to this down the line.

(Previously: 2023 in Reading2022 in Reading2021 in Reading2020 in Reading)

LegendRough Guide to Ratings
🎭 – Plays
📝 – Poetry
📖 – Books (Fiction)
📓 – Books (Nonfiction)
💬 – Graphic Novels
🔄 – Reread
🎙️ – Audiobook
❤︎ = Yes
❤︎❤︎ = Oh Yes
❤︎❤︎❤︎ = Oh Hell Yes
❤︎❤︎❤︎❤︎❤︎ = Obviously this one hit at the right place and the right time
  1. 📖 The Raven Tower – Ann Leckie
  2. 📖 The Night Manager – John Le Carré
  3. 💬 / 📓 It’s Lonely at the Centre of the Earth – Zoe Thorogood
  4. 📖 Network Effect – Martha Wells
  5. 📓 The Beauty in Breaking – Michele Harper
  6. 💬 / 📓 The Five Lives of Hilma Af Kilnt – Philipp Deines
  7. 📖 The Fermata – Nicholson Baker
  8. 📖 Birnam Wood – Eleanor Catton ❤︎❤︎
  9. 📖 The Luminaries – Eleanor Catton
  10. 🎙️ / 📖 Lightning Rods – Helen DeWitt
  11. 📖 Prophet – Sin Blaché & Helen Macdonald ❤︎
  12. 📓 Holy the Firm – Annie Dillard ❤︎❤︎
  13. 🎙️ / 📖 Making Money – Terry Pratchett
  14. 📖 Excession – Ian M. Banks
  15. 📓 Your Money or Your Life – Vicki Robin & Joe Dominguez
  16. 📓 Subculture Vulture – Moshe Kasher
  17. 📖 The Adventures of Amina al-Sirafi – Shannon Chakraborty ❤︎
  18. 📝 The Peace of Wild Things – Wendell Berry ❤︎❤︎❤︎
  19. 📓 The Liars’ Club – Mary Karr ❤︎❤︎
  20. 🎙️ / 📖 The Lies of Locke Lamora – Scott Lynch
  21. 💬 / 📓 And Now I Spill the Family Secrets – Margaret Kimball
  22. 💬 / 📖 Sex Criminals Vols. 1-6 – Matt Fraction & Chip Zdarsky ❤︎❤︎
  23. 🎙️ / 📖 Red Seas Under Red Skies – Scott Lynch
  24. 📓 Travelers to Unimaginable Lands – Dasha Kiper ❤︎
  25. 💬 / 📖 Safari Honeymoon – Jesse Jacobs
  26. 📓 What If This Were Enough? – Heather Havrilesky
  27. 📖 Oliver VII – Antal Szerb
  28. 💬 / 📓 How to Understand Israel in 60 Days or Less – Sarah Glidden
  29. 🎙️ / 📖 The Republic of Thieves – Scott Lynch
  30. 📝 44 Poems for You – Sarah Ruhl
  31. 📓 Wild – Cheryl Strayed
  32. 📓 Saving Time – Jenny Odell ❤︎❤︎❤︎❤︎❤︎
  33. 🎙️/📖 The Thursday Murder Club – Richard Osman
  34. 📓 The Wild Edge of Sorrow – Francis Weller ❤︎❤︎
  35. 🎙️ / 📖 Nothing to See Here – Kevin Wilson
  36. 🎙️ / 📖 The City of Brass – S.A. Chakraborty
  37. 💬 / 📓 The Worst Journey in the World: Vol. 1 – Sarah Airriess, adapted from Apsley Cherry-Garrard ❤︎
  38. 📓 Smile: The Story of a Face – Sarah Ruhl ❤︎❤︎
  39. 📓 Gender/Fucking – Florence Ashley
  40. 💬 / 📖 Pixels of You – Ananth Hirsh, Yuko Ota, J.R. Doyle
  41. 📓 Mr. Wilson’s Cabinet of Wonder – Lawrence Weschler / Visitng The Museum of Jurassic Technology IRL ❤︎❤︎❤︎
  42. 💬 / 📖 Waverider (Amulet Book 9) – Kazu Kibuishi
  43. 📖 Women Talking – Miriam Toews
  44. 🎙️ / 📖 The Kingdom of Copper – S.A. Chakraborty
  45. 📓 Care: The Highest Stage of Capitalism – Premilla Nadasen ❤︎❤︎
  46. 🔄 📓 Steal Like an Artist – Austin Kleon
  47. 💬 / 📖 Danger and Other Unknown Risks – Ryan North & Erica Henderson ❤︎❤︎❤︎
  48. 💬 / 📖 Lightfall: The Dark Times – Tim Probert
  49. 🎙️ / 📖 The Empire of Gold – S. A. Chakraborty
  50. 🎙️ / 📖 Night Boat to Tangier – Kevin Barry ❤︎❤︎❤︎
  51. 📖 Funny Story – Emily Henry
  52. 💬 / 📖 Stargazing – Jen Wang
  53. 💬 / 📓 In Limbo – Deb JJ Lee
  54. 🎙️ / 📖 The Midnight Library – Matt Haig
  55. 📓 Four Thousand Weeks – Oliver Burkeman ❤︎
  56. 💬 / 📓 Coma – Zara Slattery
  57. 📓 The Long Run: A Creative Inquiry – Stacey D’Erasmo ❤︎❤︎
  58. 📓 Mutual Aid – Dean Spade
  59. 🎙️ / 📖 The Book of Love – Kelly Link
  60. 📖 Red, White, and Royal Blue – Casey McQuiston
  61. 🎙️ / 📖 Godkiller – Hannah Kaner
  62. 📖 Whoever You Are, Honey – Olivia Gatwood ❤︎
  63. 🎙️ / 📖 Sunbringer – Hannah Kaner
  64. 🎙️ / 📓 Driven to Distraction – Edward M. Hallowell & John J. Ratey
  65. 🎙️ / 📓 A Heart That Works – Rob Delaney ❤︎
  66. 📖 Nervous Conditions – Tsitsi Dangarembga
  67. 📓 Slouching Towards Bethlehem – Joan Didion ❤︎❤︎

Unfinished but Made Progress

  1. The Nature Book – Tom Comitta
  2. Annals of the Former World – John Macfee
  3. The Divine Comedy – Dante
  4. Come Together – Emily Nagoski
  5. Wildwood – Roger Deakin
  6. The Idle Beekeeper – Bill Anderson
  7. Bear – Marian Engel
  8. This Nonviolent Stuff’ll Get You Killed – Charles E. Cobb Jr.
  9. A Month in Siena – Hisham Matar

Making Nonfiction Comics Event in Ojai

One week from today (Tuesday, December 16th at 6pm) I’ll be at my beloved local outdoor bookstore, Bart’s Books, for an interactive evening with fellow Ojaian and powerhouse cartoonist Shay Mirk.

We’re celebrating the publication of Making Nonfiction Comicsa comprehensive illustrated guide for everyone who’s ever wanted to tell stories about the world around us in words and pictures. (If you can’t make the event, that link takes you to bookshop.org where you can buy the book online.)

Look at this chonker!

This beast is a collaboration between Shay and fellow cartoonist Eleri Harris and it is so!! good!!! In addition to Eleri and Shay’s hard-won expertise, there are also interviews and tips from so many big names in the field. You can learn about crafting everything from on-the-ground protest reportage to deep dive historical research to authentic personal narrative. This book is going to be the gold standard for years to come.

I feel lucky to have a brief cameo talking about running a community drawing night in Portland for several years in the twenty teens. Here’s a look at that:

This baby can fit so many cartoonists in it! (2013)

If you’re in the area, do come by. I’m gonna show off some kelp farming comics, Shay’s gonna talk about making the book, it’s gonna be very fun. Ojai may be 80º during the day right now, but it gets chilly after dark, so bundle up! We’ll have zine templates for folks to fill out and fun slides to share and, knowing Shay, killer snacks.

Hyde and Eroticism

A quick one to say I’ve been thinking a lot about the different subtitles they’ve slapped on Lewis Hyde’s The Gift through the years, mostly because it was only this year I learned that the original 1983 edition looked like this:

The Gift: Imagination and the Erotic Life of Property by Lewis Hyde

I LOVE IT. WHY DID THEY CHANGE IT. WHAT GIVES.

The whole thing is a far cry from 2019’s:

The Gift: How the Creative Spirit Transforms the World by Lewis Hyde

As well as the copy I first encountered (published in 2007), which features a third option:

The Gift: Creativity and the Artist in the Modern World by Lewis Hyde

Which is…fine? It’s fine.

BUT WHO BURIED THE LEDE ON THE EROTIC LIFE OF PROPERTY?!

Audre Lorde originally presented “Uses of the Erotic: The Erotic as Power” as a paper in 1978, but it wasn’t published in Sister Outsider until 1984—just one year after the first edition of The Gift came out.

Sister Outsider Essays and Speeches by Audre Lorde
(There’s a nice write-up of this design on Fonts in Use, if you’re into that sort of thing, *cough*ROBIN*cough*)

I wonder about this post-70s literary landscape, everything still reverberating with the energy of the 60s, the explosive visibility of sexuality in American youth culture, the rising tide of queer voices—but also the broader definition of eroticism.

I just re-read Katherine Angel’s Unmastered: a Book on Desire, Most Difficult to Tell, which I picked up after Tomorrow Sex Will Be Good Again. Her exploration of eroticism veers more towards the question of what to do with desire that resists being codified, named, and negotiated in explicit terms. How do we reckon with consent culture alongside the lure of the unknown? What of discovery? What of the secret third thing?

Kate Wagner coming in at the right moment here with this essay:

A situational eroticism is what is needed now, in our literalist times. […] Arousal is a matter of the self, which takes place within the body, a space no one can see into. It is often a mystery, a surprise, a discovery. It can happen at a small scale, say, the frisson of two sets of fingers in one’s hair at once. It is beautiful, unplanned and does not judge itself because it is an inert sensation, unimbued with premeditated meaning. This should liberate rather than frighten us. Maybe what it means doesn’t matter. Maybe we don’t have to justify it even to ourselves. 

This draft has been languishing because I don’t have a neat bow to slap on the end of this. If there’s anything I’m thinking of, though, it’s that Hyde (or his publisher) wasn’t wrong to foreground eroticism in that first edition of the book. Eroticism is creativity, and neither are as much work as they are play.

Maximum Melville

A number of fantastic ducks lined up in the month of June and I want to talk about all of them, but there isn’t time to do it in one giant post. One duck, however, took the form of appearing at the 14th International Melville Society Conference to speak about my time aboard the Charles W. Morgan eleven years ago. (You can read the comic about that trip here.)

A spread from Lucy's comic, Down to the Seas Again.

I read Moby-Dick for the first time a handful of years ago and loved it, but I wouldn’t call myself a Melville scholar. However, attending this conference felt like a great chance to scratch the academic itch without, say, going to grad school.

I ended up spending the whole week taking visual notes, which allowed me to drop into a type of weightless, fixated attention that I’ve really missed in my caregiving life. It also helped give me something to do during panels where I felt a little, uh, out of my depth.

A sample of illustrated speakers from the Melville Society Conference.

When I’m drawing, words just wash over me. I can pluck the ones that resonate in the moment, then step back at the end of the hour and get a picture of what I took away from the talk. I particularly loved the freedom to just wander into panels where I had no idea what the speakers were talking about, only to come away newly-enthused about some niche avenue into Melville’s work.

A photo of an auditorium full of Melville scholars.

Time and time again the attendees emphasized how unique this conference is in its warmth and intellectual diversity. I met scientists and art historians and medievalists and printmakers and disability scholars and tall ship sailors and filmmakers and many, many professors. It was a dreamy, albeit intense, four days.

Here are the notes from every talk I attended, all drawn straight to ink during the speakers’ presentations (usually about 20 minutes per person).

The biggest takeaway was that we need embedded cartoonists at all sorts of academic conferences—and the demand is there! People were so thrilled to see this kind of work coming out of the event, and there are lots of journals hungry to publish unusual creative content alongside academic papers.

Something to pursue…eventually. Got a couple things* to wrap up first.

*unfathomably vast creative projects

Measurement/Metric

“It is maybe not functionally possible to design social networked technology geared towards listening. I don’t know, I’m not that smart. But the fact that the internet doesn’t have a mechanism for listening means that we’ve invented these kludgy quantification mechanisms to try and detect attention, and it is easy, so incredibly easy there are multiple books written about this, to confuse the thing you’re measuring for the metric itself.

I want to know who is visiting my site and whether they’re returning visitors and what pages they clicked through and for how long because it gives me the illusion of knowledge and control. Maybe I’ll know my project is connecting with people if I just hit some arbitrary threshold of pageviews, subscribers, conversion rate.

But none of that will tell me the thing I actually want to know, which is: am I making a difference?”

Hey I loved this. It also reminded me to go check up on the phone line and see if there were any messages that needed witnessing. I keep them close to the chest because that’s part of the project, but I will say that there were and they moved me to tears. Maybe that’s what it’s all about.

Oosterschelde and You(sterschelde)

Cat’s been out of the bag for a while: I’d rather be operating a switchboard than a megaphone these days.

To that end: I’ve been hosting more Zoom calls for my Patreon crew to hang out together, build community, and talk about their creative and adventurous projects on the regular. It turns out it’s extremely nice to do!

This month we’ve got a real treat: Patron Josh Horton will be giving a presentation about his journey around Cape Horn aboard the Dutch tall ship Oosterschelde. Josh joined up as part of Darwin200, an audacious voyage that’s been tracing the original path of HMS Beagle since 2023. They’re doing amazing work, and I’m really looking forward to getting a peek aboard.

Patreon community Zoom: around Cape Horn with Josh Horton, Monday, May 12th, 11am PDT

The call happens Monday, May 12th at 11am Pacific Time. You can find the Zoom link and everything here. Can’t wait!

Illustrating Aquaculture this Wednesday

A quick event notification: I’ve got a free talk coming up Wednesday, April 9th! I’ve spent the last few months doing a deep dive on KELP FARMING for the folks at Blue Robotics, and now I’m giving a presentation on what it takes to translate the world of aquaculture into words and pictures.

Cartoonists? In my scientific niche? It's more likely than you think.

While working on this project I’ve gotten an in-person tour of Ocean Rainforest’s pilot farm here in Southern California and read more than I can say about different farming methods and kelp life cycle stages in order to craft a big informational poster about the history of humans and kelp. Building on these experiences, plus some work I’ve done in the past for the Schmidt Ocean Institute and Mystic Seaport, I’ll be hosting an hour-long presentation on how cartoonists can help translate and transform everything from kelp farming to ocean conservation to maritime history. This talk is geared toward aspiring or practicing science communicators, industry nerds looking to widen their reach, and anyone curious about the world of kelp farming.

A poster advertising Lucy's talk on Illustrating Aquaculture, April 9th, 12pm EST

Hope to see you Wednesday, April 9th at 9am Pacific/12pm Eastern. Register for free here.

The Talk Beneath the Talk

A nice thing: attended my first Journal Club last week to hear Ezra give a talk about credit card points and airline travel (MORE FUN THAN IT SOUNDS). Journal Club launched in 2011 when a group of Cambridge-based grad students wanted a place to come together and discuss their research. They’ve now been running bi-weekly events for 14(!) years and expanded their purview to include talks like:

  • The Politics of the Hat
  • Inca Bureaucracy
  • The Jack-O’-Lantern: History, Culture, Practice
  • PCR Tests
  • Vexillology and YOU!
  • Sea Chanteys: work songs of sailors, dockworkers, and fishers
  • Consider the Owl
  • Horse Theft
  • Using Shadow Puppetry in Environmental Education

And, of course:

  • spoooooooooooky nature

Where have these people been all my life?

In the half-hour before Ezra started his talk we had a bit of a meet and greet, and I mentioned something about making books and one of the organizers got excited about having that talk on the roster. I can do a self-publishing talk in my sleep at this point, but I still felt a bit of the old rush. I do love to get up in front of a crowd and wave my hands.

As I listened to Ezra wax rhapsodic about aviation history, however, I started to think of something else.

In 2017 I attended PWL Camp at the Kickstarter offices in Brooklyn. It was an un-conference, which is basically a roll-your-own event where folks propose panels and workshops throughout the weekend and mash together a schedule in real time. I learned about people’s favorite kitchen implements (THE FISH SPATULA), third culture kids (giving me language I’d never had before to discuss my upbringing), and fine press printing, but the talk I’ve never forgotten was “Are you worried about your parents? Me too” by Libby Brittain.

Libby was 25 when she started caring for her mom, who had early-onset Alzheimer’s and was too feisty to stay in a memory care facility. I had never met another person in their 20s who was so open about the experience of caring for a parent. PWL took place a few months before the fateful Thomas Fire Evacuation Debacle, which triggered my dad’s official dementia diagnosis, but I’d already been worrying about him for years.

I accepted my role as a caregiver in fits and starts, but I know that talk was a turning point. The room was packed. It was the first time I’d really grappled with the idea that everyone will face these questions sooner or later. Even if you don’t have biological parents in your life, you’ll have elders. If you don’t have elders, you’ll have your own aging and mortality to contend with. In disability justice the term temporarily able-bodied or TAB encompasses this truth.1

I remember less about the contents of Libby’s talk than I do the feeling of being in the room. It turns out she went on to run a newsletter during the early pandemic called Our Parents, Ourselves, which I can’t believe I missed at the time.2 I’m trying to pace myself going through the archives today, but wow there’s gold in there. (This review of a book on dementia I’d never heard of about erasure and darkness and rewriting the narrative of memory loss as loss of self? GIVE IT TO ME.)

All these threads came to the surface during Ezra’s talk and I realized that what I really want to get into in public these days is care work and grief and coping with a universal human experience that people want to talk about, but often can’t. (I scratched a similar itch talking about money in 2016 and imposter syndrome in 2018. Turns out I’m always trying to illuminate the thing that feels big but unspoken at any given moment in my life.)

This led to a poll on Patreon (you can vote in it! I hope you do!) about what elements of caregiving people might most want to explore. For all my jawboning about the ubiquity of this experience, I’ll admit I was still startled by the number of comments. People are always already doing this work in their own lives—that’s what makes this such an electric thread of curiosity.

Anyway: Journal Club was fun. The next one’s about rockets. And I’m betting sooner or later you’ll see me on the roster getting ready to talk about the ins and outs of care work. As I read this morning in my friend Kat’s newsletter (quoting Douglas Rushkoff, via a tipoff from Rosie Spinks):

When you can’t be an agent of change, aim to be an agent of care.

  1. A good elaboration/complication of the phrase via Laurie Toby Edison’s blog. ↩︎
  2. For someone writing a newsletter from the current trenches, Roger Mckeever’s is a great choice. ↩︎