I can’t recall where I first intersected with Alex Tomlinson’s work, but I’m utterly enchanted with Hear to There, a website of his that uses community-sourced sound bites to plot paths around the globe in sound. The recordings are generally ambient, rather than the narrated Rambles I record with vague regularity, but they evoke such a sense of place it still feels like you’re in dialogue with a character.
There are so many exquisite tiny projects like this that enjoy fireworks of activity when they launch and then end up drifting through the web in quieter ways. (I’m thinking of Meatspace, among others.) Part of me feels sad that the hype machine burns out so quickly, other parts are happy that these small-scale experiments go to ground—just waiting for the next unwary traveler to stumble into their midst.
(I’d be remiss if I didn’t mention that Alex is also a designer of bird-themed items. His illustration stuff is absolutely gorgeous, and I was lucky enough to receive one of his Vexillowlogy patches in the mail this year. He’s got a shop, if you’re a bird nerd like me and flush with Christmas cash.)
Just in time for my next event at Bart’s Books, I’ve finally finished cutting together the audio of my previous conversation there with creative powerhouse Tessa Hulls! This talk was recorded on her whirlwind book tour for Feeding Ghosts, a stunning matrilineal graphic memoir that rocked me to my core and has remained on my mind all year.
Tune in to hear us talk about sustaining ourselves during interminable creative projects, insights from Tessa’s seven-month isolated wilderness residency, and some Patented Bellwood Questions about money in publishing under a springtime sunset.
Tessa also read us an excerpt from the book, which I’ve included in the audio because the words absolutely hold up on their own (although obviously the ideal way to experience the book is to get your hands on a copy).
Longtime readers might remember this chat we recorded back in 2018. Many themes in this more recent conversation are the same, but the intervening years have changed us both in some pretty significant ways. I hope we get to cross paths again and answer all these questions anew another six years down the line.
I have so much admiration for Tessa as a fellow uncategorizeable creative force. She continues to remind me what it can look like to blend all the disparate passions of our lives into something rich and strange. I hope that affection and enthusiasm come through in this conversation, and that you’re able to read her book soon.
Shing wrote a very perfect post-mortem about their epistolary keepsake game, Remember August. It is personal and statistical all at once, just as much about the logistics of running a very unique kind of mail-based narrative as it is about the decline of once-cherished relationships. I strongly recommend reading the whole thing, but this sentence in particular hit me in the chest:
I felt a little bit like by making games like this, I was tricking strangers and friends into telling me that I would be okay.
I feel this so keenly when I listen to messages from The Right Number. Much like the handwritten letters players posted during their interaction with Remember August, the human voice carries so many layers of intimacy. The current prompt is about refuges, and people have been calling to describe, in gorgeous detail, their chosen temples and cherished landscapes. I lie in the dark and let their accents and words wash over me, one by one. A house in the mountains of northern New Mexico. A warm beach. A particular couch in a family room.
I never listen to too many at once, so there’s actually a backlog of messages I haven’t gotten to yet, but they feel timeless. There’s no response forthcoming, just the knowledge that I’ll listen to them and keep them safe somehow. And in return, they keep me safe, too.
This one (my 30th since I started this practice in June of 2019!) is about stuff I lost track of in 2021, things I’m thinking about in the new year, trying to abandon perfectionism, what to share and what not to share, the topography of the Ojai Valley, and various other things.
Also: looked at a bunny, found some owls.
You can read the transcript or browse all the notes and associated ephemera over on Patreon for free, or just listen directly below.
January 1st, 2022
[Rambles are typically 20-minute freeform audio updates recorded outside every couple of weeks. You can listen to previous Rambles here or subscribe directly in the podcast app of your choosing with this link.]
Some thoughts after a long absence from this practice:
Between the weight of the world and my new role as a full-time caregiver, I’m barely managing to do my own work, which means I have no time for the work around the work—the work about the work. It feels like this second kind of work is what actually brings people to my door. The art is fine, but the thinking and talking ABOUT the art (and the craft, and the business, and the being-human-ness of it all) is what I’ve come to rely on for my livelihood. It also gives me a sense of greater meaning within the landscape of my chosen profession. It helps me feel connected to something bigger.
There’s more commentary and a list of links to things I referenced in this recording over on Patreon, but if you prefer you can just dive in and listen below:
September 3rd, 2021
[Rambles are typically 20-minute freeform audio updates recorded outside every couple of weeks. You can listen to previous Rambles here or subscribe directly in the podcast app of your choosing with this link.]
Haven’t been super exact about remembering to cross-post when I release new Rambles, but I wanted to be sure I shared my latest one because people have said some deeply thoughtful and lovely things in the comments over on Patreon, and I think this is a discussion worth having right now.
Broad Themes: similarities between grief and creativity in both their acute and ambiguous forms, what to do when there is nothing to be done, Vaccine Feelings, broadening the window of tolerance for discomfort, models for social and economic validation, the metrics that matter in understanding Patronage, object permanence and online audiences.
Guest Starring: a lot of birds.
(If you prefer reading to listening, you can download a transcript here.)
Usually we get Great Horned Owls in our garden, slow and mournful and resonant, but last night I heard a newcomer with a call like a rubber ball dropped down a flight of stairs.
Listen:
It’s a Western Screech Owl!
This audio recording is from April 4th, 2020. It was captured 130 miles from here in the San Gabriel Mountains by Lance A. M. Benner, a Principal Scientist at NASA JPL, and uploaded to the miracle that is Xeno-canto. If you haven’t come across that site name before…well. It’s a community-driven database of bird calls from around the globe, but that description doesn’t really capture its magnificence. The site’s been around since 2005, and the breadth and quality of the recording collection is staggering. You can look for absolutely anything there, and a great deal of it is licensed under Creative Commons.
Benner has contributed 1,926 recordings to the site.
Isn’t it wild that people just do stuff like this?
The most famous Western Screech Owl in my internet circles right now is probably Coconut the Owl, who took up residence in Austin Kleon’s backyard earlier in the Pandemic and recently received a new abode:
Coconut in situ.
Also apropos of nothing I followed some links about Benner out of idle curiosity and found myself listening to a few of his owl-specific recordings on Owl Pages Dot Com, a site devoted to…well, you know.
Last month, while driving from Portland to Ojai, I stopped off in San Francisco for a distanced morning park walk with my pal Robin Rendle. After I’d got done screaming about how unbelievable it was to see the sun and be outside in short sleeves, we remembered we’d been joking about recording a podcast for a long time and figured there was no time like the present to give it a go. So I offer unto you:
A Robin Rambdle or I’m Sorry, You’re Welcome, Episode 1 or…
(You can download a transcript of our conversation here, if reading’s more your bag.)
This is broadly a discussion about unusual websites and trying to be yourself on the internet, but we also managed to talk about The Muppets, book design, 1970s British television, generative poetry, and at least two types of cheese.
We also watched a hawk building a nest in this tree the whole time we talked. Magical.
Here’s links to more or less everything we mentioned:
Ramble #24 (January 7th, 2021): The 7th anniversary of my arrival on Patreon! Reflections on my first solo Christmas, good quotes about solitude, writing down nice things, thinking about early internet communities, trying out anonymous audio-based support groups, picking a word for the year, stuff about birds. There’s also a bonus recording attached to the original post on Patreon from Tim Dee’s The Running Sky, which is just gorgeous.
January 7th, 2021Ramble #24
Ramble #25 (January 21st, 2021): much shorter. Took a walk. Petted a cat. Tried to figure out how I’ve changed my relationship to being online and whether I could distill that process into replicable steps. (Also, thanks to a truly mystical service Robin turned me onto called Descript, this is the first Ramble with a proper transcript.)
January 21st, 2021Ramble #25
(If you’re universally hot for RSS feeds—and if you’re here, let’s be real, you probably are—you can always subscribe to these directly in the podcast app of your choosing with this link.)
[I’m going to start cross-posting the weird captain’s log audio updates I’ve been doing on Patreon for the last couple years here on my blog. If you’d like to take a spin through the whole archive, I’ve made a page for every past episode here.]
Okay, so! A Ramble. Typically when I share these on Patreon I try to keep it simple and just throw up a list of links to things I talked about, in case folks want to follow up and read what I’m reading. I still don’t know how to approach the practice here. Ironically, this particular Ramble is about the relative ease of talking compared to writing for me, and how the pressure to “get it right” in text is so much stronger.
I recognize that this is probably diametrically opposed to how a lot of people feel about any kind of public (or semi-public) speaking, but I think by talking, and my best thinking-talking usually happens when I’m addressing people who get it. Sometimes this is specific friends for specific projects, but there’s a reason this practice came into being on Patreon. My Patrons have bought into the weird, non-transactional structure I’ve built for my page, which means they’re probably the people I trust the most with an imperfect, non-linear audio snapshot of whatever I’m thinking about at the time.
On a practical note: I talk so much faster than I write. My guess is that a transcription of each Ramble would feel like an insurmountable slog to read through, but as a 20-minute audio snippet it’s a relatively small ask. You can do other stuff while consuming it, which I know people do because they comment and tell me about it! How lovely to imagine a friend or stranger doing dishes or puttering in the garden while we spend twenty asynchronous minutes together. It’s the best.
Every Ramble also comes paired with a photo I took while recording it. This started because I was too lazy to draw a cover for the first one, but it’s become a really important part of the process. It creates a visual touchstone that reminds me of the season and the weather and the moment when I was thinking these thoughts. Seeing them all together feels like a form of cyclical time travel.
Anyway, here’s today’s:
December 8th, 2020
This Ramble felt like going to therapy on a week where I think nothing in particular’s been going on, but find myself reckoning with the unseen weight of countless stressors from the last three days alone within five minutes of opening my mouth. Except I should replace “stressors” with “stuff I’ve been thinking about while reading Ursula K. Le Guin’s Always Coming Home” to paint a more accurate picture.
And because I do think it helps, here’s that list of links to things mentioned:
