autobio – Lucy Bellwood

Hourly Comic Day 2021

Hooray hooray it’s Hourly Comic Day! (Or rather, it was on February 1st.)

I feel so relieved to have gotten back on the wagon after kind of falling off last year. This is my tenth year participating, and the completionist in me is slightly miffed that I don’t have a full run to collect and publish, but whatevvvver. It’s the practice that counts! And I’ll do it again next year.

Going into this round, I gave myself permission to work under whatever constraints I needed to in order to finish and still retain some semblance of sanity while packing and prepping to move four days later. That ended up looking like just putting down pencils every hour, and leaving inking and toning for my week of post-arrival quarantine in Ojai. I also logged out of every social media platform on the 1st, because I’ve found that I often spend the day sucked into staring at everyone else’s work and feeling inadequate and I just didn’t have time! It helped a lot, but it also meant not seeing a bunch of people’s work. If you had favorite hourlies, please feel free to tweet them at me. (I have already seen and loved Danielle Corsetto’s, Katie Wheeler’s, Abby Howard’s, Vera Brosgol’s, and Lissa Treiman’s.)

Also, RE: the FOMO bit, I saw someone lamenting that they’d posted theirs a couple days late because it meant fewer people would see them—they’d missed the zeitgeist bandwagon. And I get that frustration! I do! I feel it! But it’s also been helpful for me to consider what (and who) this practice is for. I do this because I love having a time capsule of the same day every year. I also do it to remind myself that I can Make Comics without it being a huge, stressful deal. I already have everything I need. Why not make comics that bring me pleasure? Even though I’m perpetually nagging myself to loosen up and go straight to ink or get more expressive, I still love the way these came out. My Hourlies from the last few years feel like I’m finally hitting my stride.

Anyway, here’s some comics! I am still deeply dissatisfied with my options for posting artwork on my own website! I’m working on it! (Case in point: this gallery plugin doesn’t have an option to include alt text that doesn’t totally eclipse the image by default. If you need alt text with any of these, the versions posted to Twitter and Instagram are, ironically, more accessible.)

You can read previous Hourly Comic Day installments at the following links: 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011.

Comics

Hourly Comic Day 2018

It’s time for another installment of my favorite comics holiday: Hourly Comic Day! Every year on February 1st, creators around the world draw a panel (or panels) for every hour they’re awake. This is my eighth year participating, and I love it more and more each time around. It’s a great opportunity to reflect on where I’m at in my career, what’s changed in the past year, and how I’m feeling about the future.

(Full disclosure: while I penciled all eight of these pages on February first, I inked and painted about five of them on February second. I always want to watercolor my hourlies and never let myself do it so this year I got indulgent. Worth it.)

These were all drawn on 6×9″ Strathmore mixed media paper with a mix of Kuretake and PITT brush pens, Daniel Smith watercolor, and a 2H pencil.

Thanks for reading! You can check out my previous entries for Hourly Comic Day at the following links: 2017, 2016, 2015, 2014, 2013, 2012, 2011.

Comics

New Comic: Rim to River

Hi everyone! It’s been a minute, huh? As some of you may know, I recently returned from my second whitewater rafting trip through the Grand Canyon. I went as a “voyage cartoonist” with Arizona River Runners, a Flagstaff-based rafting outfit, to document one of their seven-day motorized whitewater trips down the Colorado River.

You can read the whole story here (or pick up a print copy at Rose City Comic Con in a couple weeks), but suffice it to say I had an amazing time—I’m still reeling from the experience. While I was gone I penciled and inked sixteen pages, then colored them all in the week that followed. It felt so good to crank out a completely new piece of material on the heels of Kickstarter madness last month (THANK YOU, by the way, for making that such a colossal success! More news on that soon), and I’m excited to get back to drawing new content in a big way.

(This comic wouldn’t have been possible without the support of all my kind folks on Patreon, so if you’re looking for a way to help make even more art happen, check that out here.)

Comics

New Comic: Salt Soap

This is a short piece that I’ve been meaning to draw for a few years now—glad to finally have it finished. You can find it in print in Irene #6 later this year. Enjoy!

[For optimal viewing, click on panel one to read the comic in slideshow mode.]

If you enjoyed the comic and want to see more, why not chip in a couple bucks a month on Patreon? Your support keeps me drawing—thanks!

Comics

New Comic: Dance Yourself Clean

I’m so delighted to share this comic today as part of Whatever We Please, The Nib’s collection of comics honoring International Women’s Day. Dance Yourself Clean is a brief meditation on what being a part of the social dance scene here in Portland has done for my sexuality and my sense of self. Read the whole thing here.

(This comic was made possible by the generous support of my patrons on Patreon! If you’d like to see me making more comics, won’t you consider joining them?)

Comics

Hourly Comic Day 2015

It’s that time of year again, folks. 2015 Hourly Comics are here! Be warned there are mild boobs and sorta-I-guess spoilers if you’re committed to never knowing how Moby Dick ends? That’s all the warning you’re getting though.

For those of you who aren’t familiar with the premise of this exercise, on February 1st cartoonists around the world attempt to draw a panel (or series of panels) for every hour they’re awake. The result is a tiny snapshot of everyone’s lives, which is generally a ton of fun. Google around and you should be able to find comics from many great creators. I’d recommend Eleanor Davis and Boum to start.

If you’d like to see previous HCD efforts, here’s 2014, 2013, 2012, and (gulp) 2011. It’s amazing to see how much my art’s changed year to year. My skills are improving but I’m also getting…tighter? More static somehow? Next year I’d like to draw straight to ink and loosen up a little—maybe work in something larger than my sketchbook to keep things flowing. Also it’s physically painful to me that these are uncolored pages. Nrgh, perfectionist tendencies.

ANYWAY. Comics. Have at ’em!

Comics

New Comic: Best Convention Practices

A Real Thing That Actually Happened at Thought Bubble (don’t worry, I washed my hands).

You guys know I’m posting a lot of stuff every week on Patreon, right? Head over there if you want front row seats to all the latest comics and behind-the-scenes info.

Essays

New Essay: “Sexy Lucy”

“So, I have a challenge for you.”

I’m sitting on the couch scarfing pomegranate seeds and ice cream while my gentleman friend looks up from doing the crossword.

“I’d love to see you draw Sexy Lucy. I mean, if you want to. If you think it would be fun.”

I laugh through a mouthful of dessert. “What? Why?”

“Well, I saw you draw Happy Lucy today and that was really adorable, and I’ve seen Grumpy Lucy and Goofy Lucy and Tired Lucy, but you never seem to draw Sexy Lucy.”

Some of you may’ve already seen the essay I posted last week on Medium about setting boundaries in autobio comics, but I figured I’d post a link here too just in case you missed it. This is a question I’m always navigating in my own work, but it took a particular conversation to get me to articulate my feelings on the subject. How do we skew our lives in their presentation online? Can I craft an alternative reality in my work that alters who I am in the physical world? What right do my readers have to my innermost thoughts?

Give the whole thing a read and let me know what you think. I’d be really curious to hear from any of you (especially women) who handle questions of intimacy in your autobiographical work. Where do you draw the line and why?

News

Audio Treats: KBOO and Chris Schweizer

A quick post today to let you all know I’ve got two new audio interviews up for your listening pleasure!

I had a great time guesting on KBOO’s Words and Pictures show a couple weeks ago, where I talked to host S. W. Conser about my recent projects, including my upcoming show at Portland’s Sequential Art Gallery (more on that tomorrow!). You can give that a listen right here.

I also had the immense pleasure of talking with fellow boat-savvy cartoonist Chris Schweizer as part of his new conversational podcast. We delve into all sorts of stuff including (but not limited to) boats, comics, theater, higher education, and French comics. Chris is not only a stellar cartoonist and history buff (have you read Crogan’s Vengeance? YOU SHOULD. IT HAS GOT BOATS IN), but also an eloquent, fascinating guy. This was a blast! You can expect more of these recordings from him in the future, so keep an eye out.

I’ll be back tomorrow with more details about next week’s show at the Sequential Art Gallery. Hooray!

Comics

New Comic: Flip the Switch

So a while back I hinted that I’d soon be contributing some work to The Nib, Matt Bors’s comics portal over on Medium.com. That day has finally come! I went to check out Float On, the nation’s largest sensory deprivation tank center, and made you a whole comic about it. If you’ve ever wondered what happens to a work-addled freelancer’s brain when you cut off all its access to outside information and stimuli for 90 minutes, this one’s for you.

Click through to read the whole story on The Nib.