Laid Low

I’m sick in bed the week of Thanksgiving, which is mostly bothering me because I was looking forward to using the holiday lull to finally get some work done.

This sounds bad, I know. But my family doesn’t even do Thanksgiving! My whole life I’ve made do with (and enjoyed, to be fair) turning up at other people’s celebrations. This year I’m starving for a secret pocket of time instead; one of those interstitial spaces that nurture creativity. I’ve been thinking of the days I’d bike to my studio in Portland having forgotten, in my freelancer’s fog, that it was a public holiday. The roads were empty. The traffic was quiet. No one was asking me to work, so I could actually work. And my work, of course, sits in the strange dip between play and purpose.

I wrote a little on Patreon this week about taking time off of penciling the graphic novel to design a new character. It has felt intolerable do this kind of thing when the spreadsheet looms and I’m constantly berating myself for how long this book has been taking and I want to see progress and I want to know how long it will take and the work of designing something new is anything but predictable.

And yet it IS predictable! I went from tentative sketches to a properly captured character in about three days! That’s barely any time at all!

Anyway, top of mind these days: how making a career of a creative practice does, eventually, impose a sense of constant dis-ease. The catch-22 of needing a sense of spaciousness in order to indulge the kind of experimentation and noodling that allows one to actually, y’know, create, but existing in a world full of deadlines and invoices that require foreknowledge of exactly how long something will take. There’s nothing new about this gripe, as evidenced by the very thoughtful and validating comments I got from other comics peers on that Patreon post, but I’m feeling it keenly right now.

At least I’m getting to draw a lot of outrageous lizards.

A dense sketchbook page full of goofy lizards.

A Rare Appearance!

Remember when I used to do events? Me neither.

BUT I’M DOING ONE NOW!

A banner advertising Tessa and Lucy's event for Feeding Ghosts.

I’ll be at Bart’s Books in Ojai, CA next Thursday, March 21st at 6pm to interview my genius bike-touring, adventure-having, genre-bending cartoonist friend Tessa Hulls about her new graphic memoir Feeding Ghosts. The book explores three generations of her family’s tumultuous history from Maoist China to America and beyond. It’s rich and cathartic and unbelievably gorgeous. Tessa’s spent the last nine years bringing it to life. You can read more about it in the San Francisco Chronicle or the New York Times.

A sample page from Feeding Ghosts.

Given the lengthy isolation and emotional toll required to craft a book like this, I’m very keen to have a packed house to help celebrate its emergence into the world. Bart’s has a gorgeous outdoor courtyard and an absolutely amazing selection of used titles. Well worth the visit. I’ll also be bringing some of my own books along, so if you’ve been wanting to get your hands on some copies from the second printings of 100 Demon Dialogues and Baggywrinkles, you can do a one-stop shop!

The courtyard at Bart's Books.
Photo by Jennelle Fong for the New York Times

Want to get your hands on the book, but don’t live in Southern California? Great news! You can order Feeding Ghosts from wherever books are sold. Personally I’m a fan of using Bookshop.org or requesting it at your local library. Tessa’s book tour also ranges widely, so if you have friends around the country who might enjoy this project, take a peek at the list of other stops.

Hope to see you soon!

A Blaze of Kindness

The Terra Nova Expedition is the Millennials’ polar expedition. We’ve worked really hard, we’ve done everything we were supposed to, we made what appeared to be the right decisions at the time, and we’re still losing. Nothing in the mythology we’ve been fed has prepared us for this. No amount of positive attitude is going to change it. We have all the aphorisms in the world, but what we need is an example of how to behave when the chips are down, when the Boss is not sailing into the tempest to rescue us, when the Yelcho is not on the horizon. When circumstances are beyond your power to change, how do you make the best of your bad situation? What does that look like? Even if you can’t fix anything, how do you make it better for the people around you – or at the very least, not worse? Scott tells us: you can be patient, supportive, and humble; see who needs help and offer it; be realistic but don’t give in to despair; and if you’re up against a wall with no hope of rescue, go out in a blaze of kindness. We learn by imitation: it’s easy to say these things, but to see them in action, in much harder circumstances than we will ever face, is a far greater help. And to see them exemplified by real, flawed, complicated people like us is better still; they are not fairly-tale ideals, they are achievable. Real people achieved them.

I am leaping out of my chair and whooping and cheering and hollering about this passage from Sarah Airriess’s latest Patreon post. (The whole essay was released early for Patrons, so you can either become a supporter to read the whole thing today or just wait it out until it becomes more widely available in a month. Personally I’d recommend the former, because Sarah’s Patreon is one of the best around, but I’m biased.)

This talk originally accompanied the launch of The Worst Journey in the World, Vol. 1, Sarah’s graphic novel adaptation of Apsley Cherry-Garrard’s account of the Terra Nova Expedition. I’m holding my copy right now, and it’s one of the most beautiful comics I’ve ever seen. Again: my appreciation is probably heightened by the fact that I’ve been following along on Patreon for years as she’s shared the process behind every page, but even without that context it’s a beautiful, beautiful book.

A page from "The Worst Journey in the World" showing a view of pack ice from the rigging of a tall ship.
A page from The Worst Journey in the World showing two characters observing a beautiful sunset.

In the microcosm of caregiving, I’m learning this lesson over and over again: it isn’t the systems that make it bearable; it’s the people. It’s Gabriela texting to say she’s bringing over a rotisserie chicken. It’s Jim coming by in an hour to take my dad out for a visit to his favorite coffee shop. It’s Jen holding space for our cohort of young caregivers to show up and commiserate with each other over Zoom because she went through what we’re going through and wants to pay it forward. It’s Hayley texting a loving thought from across the country when I somehow need it most. It’s Sarah picking up my watch from the place in Ventura that I keep forgetting to stop at and then coming to help me build a bed frame. It’s also whoever left a free mattress in the parking lot behind Vons.

I think back on the way I lived through the first ten years of my career and it feels so different. I was bolstered and supported by community, it’s true. I was even asking them for help at every turn to make my books and my work possible! But somehow the ways I’m relying on others right now feel so different. I’m humbled so much more thoroughly by letting people in during this season of my life because it’s not just creative anxiety anymore. That’s peanuts. That’s easy.

This is the real shit.

It’s not freezing to death in Antarctica shit, but some days it feels real close. I’ve feared and loathed the thought of anyone seeing me like this for so long, but time and time again I see that people want to help each other. Or, at the very least, my people want to help me. And my dad’s people want to help me. And my hometown wants to help me.

I just have to let them in.

Drawing Board Dispatch

Trying to get better about sharing these things across my different internet haunts, so! I just posted my second monthly update on Seacritters! over on Patreon. If character design notes and thoughts about capacity and sustainable pacing for making graphic novels and also goofy bespoke dancing gifs appeal to you, get thee hence. These updates are Patron-only from here on out to preserve goodwill with my publisher, but the first one is still free if you want to get a sense for what they’re like. The Data/Art/Ritual format is really working for me, since those do feel like the three pillars of my creative practice. I’m excited to leave myself this paper trail and see where it goes.

Also, y’know, possums.

A double-page sketchbook spread full of drawings of possums in blue line pencil.

(Also I’m noticing that it feels weird to post this kind of promotional, audience-addressing stuff on my own blog. I’m assuming an audience in writing this (“if you want to get a sense…” etc.) and realizing that I don’t often think that way when I write here. I’m writing to myself, about my own thoughts, and acknowledging in the back of my mind that some people might read those thoughts, but not actively addressing them when I write. Don’t have a solution to it, really, just thinkin’.)

Announcing: 100 Demon Dialogues

Hi friends,

Big, big news today! My latest project, 100 Demon Dialogues, is now live on Kickstarter!

For the past three months, as part of the 100 Day Project, I’ve been illustrating a daily dialogue with the little voice in my head who tells me I’m no good. (You might recognize him from my Inktober drawing challenges from the last couple years.)

I just drew the 100th entry this morning and I’ve been so overwhelmed by the response to the project. Hearing from people who see themselves reflected in these drawings makes my heart swell. I’ve also heard from a lot of people who want to own these comics for themselves! So here’s what we’re gonna do about that:

  1. The Books!
    • Today’s Kickstarter launch will fund both softcover and hardcover editions of the book. I am very excited about the whole thing. Here are some of the special features I’m aiming for: 
  2. The Plushies!
    • The Kickstarter will also be funding a run of PLUSH DEMONS to keep you company as you do battle with your own voices of anxiety and self-doubt. This little fella will measure about 15″ from tip to tail, and can easily sit up on any surface you care to place him on. (If you’d like to read all about what it takes to produce a plush toy from start to finish, I just did an in-depth blog post about it over on Tumblr.) Here’s a look at the prototype:
  3. The Print Shop!
    • Lots of folks asked for prints of particular demons, but since producing, stocking, and shipping 100 different print types is a massive headache for a long creator like myself, I’ve partnered with the fine folks at Buyolympia to provide archival-quality prints of any demon your heart desires. The store is almost ready, and I’ll be sure to link to it here on the blog once it’s up.

So there we go! You can read all the entries in the series here on the site, head to the campaign page to preorder books and plushies, or buy prints (very soon, I promise) from Buyolympia!

Thanks, as ever, to my amazing supporters on Patreon, who gave me the stability to devote so much time to the this project over the last three months. Y’all are the best.

LET’S GO MAKE SOME COOL SHIT.