100 Hands – December 2014 Edition

Long-haul readers of the blog will recall that I have a habit of drawing 100 Hands every now and then, thanks to an exercise set by my mentor Eben Matthews ages ago . Last week I finished my annual pilgrimage, which I now present here for your viewing pleasure. References include: Pixelovely Reference Tool, Animopus Hand Reference Post, and the inimitable Jordi Lafebre.

I like mixing photo reference with work by artists I admire (especially animators) since it keeps me thinking in terms of what can be simplified and exaggerated. There are so many masters to learn from, and the mechanical act of replication plus an awareness of form can work wonders on your technique.

To everyone who looks at this exercise and says “Wow, I could never do that!”, remember that a) all you have to do is draw one hand at a time, and b) even though this batch was drawn in a handful of days, this practice is a process that was set in motion over a decade ago. I really wish I had scans of the very first set of these I ever did in 2003, ’cause lemme tell you they didn’t look so good back then. Heck, they still don’t look so good to me right now, but they’re better. And better is what matters. Here’s some from a little over two years ago, here’s some more from two and a half years ago. Now: a little less stiff, a little more expressive.

Next year? Let’s find out.

HandsStripWeb

Process Post: Black Hand

A couple months ago I was delighted to receive an email from Glenn Fleishman, who some of you might remember as the fella who interviewed me for The New Disruptors earlier this year, asking if I wanted to work on an article about an imaginary friend for his publication The Magazine.

I love the idea of imaginary friends, even if I never had one of my own as a child, and as soon as I received the list of this friend’s characteristics from writer Lisa Schmeiser I knew this was going to be a lot of fun. You should really just go ahead and read her essay, which does a far better job of explaining Black Hand than I ever could.

But since this is a blog about my creative stuff I thought you guys might like to see a little step-by-step process of the creation of this piece. The graphic below was created for one of my weekly Patreon Process Posts, which I put up every Friday with updates on my current projects and behind-the-scenes info on how I get stuff done. If you dig it, why not subscribe? It only costs $2 a month, and helps ensure the creation of bigger, better comics just for you!

Patreon12.8I created this piece start-to-finish in Manga Studio 5EX. You can see my initial sketch with the pencil tool, which actually went through three versions. First I’d given Black Hand these loopy bellbottoms, but Glenn asked for something a little more like Morpheus from Sandman, so I added bulky Goth boots and snugged up the pants—tight jeans or flowy sweats. We ended up going for the latter.

Sketch1Sketch2sketch3

After the sketch was approved I went in with the Hairpin Sable inker and laid down some lines. Glenn wanted a psychedelic, dream-like color scheme, so after blocking in some bright colors with the fill tool I added shadows (on a separate layer set to Multiply) and highlights (on a separate layer set to Screen) before going in with a watercolor brush and adding splotches and clouds on the background.

Screen Shot 2014-12-18 at 1.15.30 PM

And there you have it! Again, you can read the whole finished article here, and tune in for more weekly process posts like this one over on Patreon.

 

Monday Sketchdump

GrumBumWEBIn honor of completing my story for Cartozia #3 last week, I decided to do a little warm-up sketch of my two protagonists on Sunday. Meet Grumley and Bumley, cantankerous fishermen at large.

I’ve also been trying to get back into the habit of doing warm-up sketches on a more regular basis, so here are some heads, hands, and hounds.

And then just a few assorted figures I’ve been noodling around with. You might recognize John Elliott (one of my favorite folk musicians at the moment) and Dan Weber (only one B, ignore that note), who played a great gig at Al’s Den a few months ago in Portland. There’s also a dress from the fantastic OMG That Dress tumblr. And me as a pretentious art critic, for reasons unknown.

ALL ART ALL THE TIME. WOO.

Spottin’ Blacks

More weekly challenge stuff. Focused on high-contrast faces this week to get more decisive about laying down blacks:

Contrast

And thanks again to everyone who came out to the workshops this week! It was great to see so many of you there.

Workshop1

I’ve posted my lecture notes from the Freelance Badassery talk on Tumblr if you wanna go get a creative kick in the pants. I’ll hopefully be putting them up directly on this blog sometime in the near future. For now: work beckons!

Horses

New challenge. Did this one early because horses make me SUPER NERVOUS. I’ve seriously never drawn one before IN MY ENTIRE LIFE. Referenced a couple great artists for this like Joe Weatherly and Claire Wendling, then did a few from photographs. Just like the 50 Shoes exercise, this felt really awkward and clumsy to begin with, but the more I figured my way around the shapes the more it all started to make sense. Practice is MAGIC.

HorsesFinal

As always, you can follow along and submit your own sketches to the weekly challenge pool on the Artistic Veggies tumblr.

Suits, Heads, & Other Sundries

A couple challenges from the last few weeks. Remember you can always join in on these suckers by heading over to the Artistic Veggies tumblr! A new challenge goes live every Monday.

Suits heads

I’ve also been blasting through the last of my Kickstarter custom comics! Thank goodness for that. The most recent strip was a requested Firefly / Doctor Who mash-up for Jason. I never really find the inspiration to draw fan art unless someone specifically requests it, so this was a fun one.

Doctor Who/Firefly Mash-Up, For Jason

Okay, back to work!

Sketchdump and CrapComics™!

Today I got stuck in a big, fat

You can’t see that letter. It’s an R. For ART RUT.

Y’know, those days when you feel like you’ll never draw well ever again, all your ideas are crap, life is pointless, etc etc.

BOOOOOORING.

So I spent all of the Sip and Sketch this afternoon busting through it with a variety of sketches and whiny journal comics. Good for what ails you!

First up, we had this furry guy.

Then this angry-lookin’ lady with a very orange collar.

And, finally, some quick ‘n dirty journal comics to prove that by golly I can draw things in a narrative fashion if I damn well please.

NOW ONWARD TO GLORY.

Portrait Sketches – Spring 2012

The semester is almost over, which means it’s time to throw the fruits of my classtime labor up on the Internet for all to see. I was feeling frustrated with my ability to capture good likenesses of people, so for the last three months I’ve been drawing students from two of my conferences at Reed. Here’s the compiled batch of them.

In other news, for those of you following the progress of the Kickstarter campaign, things have gone through the roof. We hit our fundraising goal in just FIVE HOURS, and then kept on climbing.

2 Hours In

 

24 Hours In

With such extraordinary results, I’ve had to rethink my goals for the campaign. It’s looking like the excess funds will go towards a brand new, long-form project, which is really thrilling. Expect an update on that soon.

For now, to everyone who has spread the word, chipped in, and helped fuel the stratospheric success of this project:

I can’t thank you enough. Let’s make the remaining time even more amazing.