Wonders of the Sea

Back at the start of March I uncovered this cookbook in our overstuffed kitchen shelf. It’s incredibly upsetting, even for something designed in the 60s.

A photo of a hand holding a paperback book titled Madame Prunier's Fish Cook Book. There's sickly yellow background color to the text and a large, unappetizing photograph of a sting ray below it.

NOBODY WANTS THAT ON A BOOK ABOUT FOOD.

But the original text, I should mention, is from 1939. And when I cracked it open I was surprised to find that the illustrations were incredibly cool.

A photograph of a yellowed page from a book featuring delicate black and white illustrations of sea creatures.
A photograph of a yellowed page from a book featuring delicate black and white illustrations of sea creatures.

Look at those lines! So stylized! So energetic! And the compositions!

Turns out the interior artist is one Mathurin Méheut (1882-1958), a French painter I’d never heard of before. When I went searching for more of his work, I found a treasure trove. Méheut had spent two years before WWI working with naturalists at the Roscoff marine biology station—a collaboration that resulted in two enormous volumes of gorgeously-depicted marine life.

And, to my immeasurable delight, both of them are available online via RISD’s library.

Small sea grasses and weeds painted in color on a white background.
A delicate painting of kelp and seagrass rendered in color.
A gorgeously detailed illustration of several tiger sharks on toned paper.
A gorgeously detailed illustration of several cuttlefish on toned paper.
Two watercolor paintings of sting rays in yellow and purple.

I love stumbling on illustrative work like this. It feels so modern! There’s a level of stylization that really reminds me of Jemma Salume’s animal studies.

Three illustrations of an iguana in various poses
Three illustrations of an octopus in various poses
Three illustrations of a great blue heron in various poses

I also can’t help thinking about the work of Leopold and Rudolf Blaschka, the father-son team known for creating the most exquisite glass models in human history. Their success lay in capturing the shapes and colors of marine invertebrates at a time when methods of preservation typically left specimens looking like so much indistinguishable mucus.

This octopus? GLASS.

A detailed model of a small orange octopus crafted from glass

This cactus? ALSO GLASS.

A detailed model of a strawberry hedgehog cactus crafted from glass

Unreal. (And well worth a visit if you ever find yourself near the Harvard Museum of Natural History.)

In the process of writing this post, I learned that Leopold fell in love with marine invertebrates in 1853, when the ship carrying him to America was becalmed for two weeks near the Azores. His wife and his father had just died within a few years of each other. The trip was something of an escape.

I think about him, adrift and grieving in the middle of the ocean, with nothing to do but stand on deck in the night and pay attention.

Hopeful, we look out over the darkness of the sea, which is as smooth as a mirror; there emerges all around in various places a flashlike bundle of light beams, as if it is surrounded by thousands of sparks, that form true bundles of fire and of other bright lighting spots, and the seemingly mirrored stars.

Little wonders all around.

Speaking at Design Week Portland

Hey friends!

Just a heads up that I’ll be giving a talk as part of Design Week Portland this Thursday evening at Figure Plant, a local design and fabrication studio. Design•Build•Business•You explores the unexpected benefits of collaboration, curiosity, and niche passions in a series of brief presentations. I’ll be joined by artist and wilderness guide Hannes Wingate and creative strategy specialist Christine Taylor to share insights about our creative practices and how you can find greater clarity and purpose in your own work.

You can reserve a free seat right here!

Hope to see you Thursday,

Lucy