“If you don’t believe in god, say ocean.”

If queerness can be understood as a longing, a technology that allows us to glimpse something new that we sense before we can see it, a dowsing rod, a black light, then water might be the catalyst that dissolves our attachment to whatever is keeping us from it, from ourselves.

It’s very hard not to quote the entirety of this essay by J Wortham, which manages to articulate so many angles of my obsession with getting into bodies of water. I wrote a fair bit about my plunge habit when I first moved, but there were many more beyond what I covered. This week it was the frigid Pacific Ocean under a drizzly Santa Barbara sky, then the broad arroyo of the Ventura River, then Thacher Creek in Horn Canyon.

Thacher Creek rushing past sunlit boulders.

It’s been a winter blessed with unusual—almost unprecedented—amounts of rain.

Part of the reality of searching for queer respites is that they are fleeting, ever-evolving, a question without a resolved answer.

Their writing makes me think of Heraclitus.

"We both step and do not step in the same rivers. We are and are not."

Queer time is a sensate way of life, the kind treasured by people who perhaps understand with crackling urgency how circumstances can change in a moment, and the importance of pleasures that even in small doses can sustain you for weeks, months, years after the moment has passed. 

Both times I’ve been at Wayward (a decidedly queer space) I’ve swum more frequently than any other time in my life, and yes: those pleasures have sustained me for the last three years. The daily naked plunges in the lake woke me up after naps and started me off right on foggy mornings; they soothed and refreshed and coaxed and shocked. They gave me a touchstone of what it felt like to be fully embodied, fully held. Given the self-obliterating caregiving role I find myself in now, I’ve needed it.

This total immersion of my body into water, repeatedly, without fear, allowed for a total surrender of the illusion of separation between self and the natural world, the universe, whatever you want to call it. If you don’t believe in god, say ocean. Diving nude into the ocean in broad daylight, without fear of reproach, opened a portal to a higher consciousness. Ordinary, and then extraordinary. To be near the sea is to be humbled by its magnitude, to watch your priorities be reordered to its scale. What are self-consciousness, fear of the future, existential worries, to the ocean?

The last night we were on the island, after the main cohort of retreat attendees had gone, we hiked through the forest and over the cliff to the sea. After warming up by a bonfire on the beach, there was no more reason to wait. Two of us waded out into the freezing black water, stepping gingerly over beds of oyster shells until it was deep enough to paddle. I was shuddering and staring, willing and wishing, just about ready to turn around and admit defeat when I began to see it: the water beneath me erupting in stars, bioluminescence eddying around my limbs, all of it too beautiful to seem real.

Each time I allow myself to be enveloped, something is remembered for me: a place, a feeling, a fluency. I can’t always name it, but it’s too powerful to deny. It’s almost as if the parts of myself that have gone missing are recollected in water. 

The stars that night were glinting, and the bonfire on the shore waited like a beacon, but the brightest shimmer was running down my forearms, spiraling behind my palms, reminding me of everything I could be.

Hello, hello, hello.

Second Plunge

It’s no good. The sea’s too shallow here—too full of hazardous rocks. I’m threading my way through pudgy, puckered anemones sunk flush with the surface of the sand. It’s getting dark. My car’s parked in a 24-minute parking spot and I’ve already been out here for at least 15.1 I should call it. But I’ll feel bad if I call it. But I should call it.

I try walking down the beach instead, just to feel like I’m choosing something. I know there’s a stretch where the sand smooths out into a gentler and more welcoming crescent, but I misjudge the distance and end up equally far from both my car and the better beach. I jog back along the boardwalk, cursing my indecision through my mask.

I spend several minutes in the car caught in The Waffle—the dreaded space where I justify and wheedle and drive myself batty with excuses and alternatives—until my Wise Self barges in.

You’re not seriously going to drive all the way home and go to bed knowing that you were right here and didn’t do this thing that you KNOW always fills you with an unstoppable sense of power and joy, are you?

Monstrous harpy.

I drive the five minutes down the waterfront, throw the car in the parking lot of the hotel from Little Miss Sunshine, and march past everyone enjoying the last glimmers of sunset. I have a covenant to keep.

I’m bolder with my strip down/stride in routine this time—almost too bold; I nearly enter the water still wearing my mask. A quick return trip to my pile of belongings and I’m running back into the breakers. The water is easy and delicious. It’s not even that cold. Six waves pass before I plunge under the seventh. I stand there staring at the tiniest sliver of a new moon rising on my right for what feels like hours.

She’s right. I’ve never regretted this. Two for two.

A glowing beach at sunset. There are shallow, reflective waves moving up the shore. The sky is apricot at the horizon grading slowly into deep blue. On the right, a headland with palm trees silhouetted against the sky. There's a tiny sliver of moon rising.

1. Why only 24 minutes? Such a specific number. Remind me to look that up later on whatever civic planning blog is nearest.

First Plunge

I’m pulling into Santa Barbara, 940 miles of highway behind me, as the sun dips low to the west. On my right: occasional glimpses of the sea, tantalizing and unreal, but ahead there’s only bumper-to-bumper traffic. 

I’m racing the clock as I inch through Montecito, drumming my fingers on the steering wheel. The sun’s fully below the horizon by the time the cars thin out, but there’s still time. I’m navigating by instinct across overpasses and down twisty back roads. I’m ignoring the sign that says “Park Closes at 5:30” (it is after 6) and flinging my car across two spaces in my haste to get out. I’m scrambling toward this place I’ve been coming to since I was 3 because I am giddy with disbelief and this is where I need to go to know it’s real.

James calls right as I reach the edge of the sandstone cliff. The sea is mirror-bright and full of sunset. I show him my view (an inadequate FaceTime mockery) and babble about the impossibility of it all. The prickly scrub is catching at my ankles as I stare out at this thing I’ve been unable to feel like I deserve to be near for so long. I realize there’s no time for talking, make my apologies, hang up, and start running down the slanted track to the sand.

There’s barely anyone on the beach as I kick off my shoes. The light’s failing. Everything smells of salt and woodsmoke. 

Up close, the colors in the sky and the immensity of the water make me dizzy. I feel simultaneously tiny and expansive. Opening. Unfolding. 

What’s the rule?

If I am near a body of water and I can feasibly get into it, I must get into it.

I didn’t think to grab my towel—or my bathing suit, for that matter—but I don’t really care. There isn’t time. I strip to my underwear as the dark closes in and stride toward the water. The sand is gleaming blue with light. The waves are gentle at first, waist high and cold, but I’ve braved worse. I can’t believe I’m here. I shuffle my feet, wary of stingrays, and move deeper, chattering to myself. To the water. To the sunset. 

“Hello. Wow. Hi, hello. Oh my god. Hello. I missed you. Okay. Woof. Okay. Okay okay okay here we go. Here we FUCKING GO—“

And then I am under the onrushing breakers and nothing matters anymore. I am not cold. I am not alone. I am not uncertain.

I come up laughing, and I am home.

A gleaming ocean at sunset. The sky is blue fading into fiery apricot at the horizon.

New Comic: Mappin’ the Floor

Hi friends!

It’s been a busy week here on the island of O‘ahu. After completing our three-week ocean crossing aboard R/V Falkor last Monday at 8:30am, the ship immediately went into prep mode for a host of different events to help promote the results of our cruise. Chief among these was getting the gallery show at The ARTS at Marks Garage open, which meant getting my land legs back as quick as I could in order to hang all my completed pages from the comic I’d just drawn at sea.

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The opening party on Friday night was a truly fantastic time, and I’m so grateful to everyone who came out. It was also Chinese New Year, so we had a visit from some dragons!

galleryopening
Photo: SOI

If you happen to be in Honolulu, the show is up through February 3rd, and features all the original artwork from my comic and work from all the other Artist-at-Sea participants from the last three years. There’s painting, animation, fiber arts, music, and (my personal favorite) A KNOT BOARD MADE OF ETHERNET CABLE.

Ethernet Knotboard by Colleen Peters
Ethernet Knotboard by Lead Technician Colleen Peters (who supported Baggywrinkles on Kickstarter and led to my joining Falkor in the first place!)

My inner fancywork nerd is screaming with glee.

SO: now that all that’s over, and I’ve taught a variety of classes to high schoolers and kindergarteners at local schools, it’s time to release the finished comic online. CUE TRUMPETS:

mappinthefloor

You can read the entire comic and learn all about multibeam mapping right here, and the PDF is free to download on Gumroad (just enter $0 at checkout and you’ll be able to download it without paying a dime). In keeping with Schmidt Ocean Institute’s open sharing of information policy, the comic is licensed under Creative Commons Non-Commercial/Attribution, so you can print it, color it, share it—whatever you want, as long as you aren’t turning a profit and you provide credit to the original source.

Physical copies of the comic will be available in the next few months. If you’d like to be first in line to know when that happens, you can sign up for my email list here (I send out updates once a month).

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Thanks, as always, to my stalwart supporters on Patreon, who directly enable me to take these trips and bring back educational comics for you all to read and enjoy.