It’s time, once again, for everyone’s favorite West Coast Canadian Comic Arts Festival: VanCAF!
Yes indeed, I’ll be appearing at the Roundhouse Community Center in Vancouver, B.C. this weekend from 10am to 5pm (both days). You can find the Bellwood Comics Empire at Table I2 in the Gymnasium. I’ll have a bunch of Baggywrinkles books, Life in Objects boxes, minicomics, and SUPER SECRET copies of Mappin‘ the Floor in advance of its official release in June! If you say the secret password, you can have one for free.
If you’re attending with a young person who wants to learn more about making comics, they can come to a special comics-making class with myself and Mariana Yatsuda Ikuta on Sunday at 2:30 in the Arts and Crafts Room. There are free workshops for kids happening all weekend, so check out the schedule here and go draw with your favorite cartoonists.
I’ll also be moderating a panel called “Hash Out Your Cash!” with Steve Lieber, Hope Nicholson, Jeph Jacques, and James F. Wright (WHAT A LINEUP) on Sunday at 10:30am in the Performance Center. We’re gonna talk all about money which a topic I’m getting more and more jazzed about discussing with cartoonists, so I hope to see you there! (And be sure to check out the whole panel lineup on the VanCAF site.)
Okay, phew, that’s all for this weekend! I’ll see you across the border.
Just a quick note to say that I’ll be stopping off in Berkeley, California this weekend for a Free Comic Book Day celebration on Saturday, May 6th at Tr!ckster, an amazing independent comic shop and art gallery. Here’s the details:
For the Free portion of Free Comic Book Day, I’ll be giving away BRAND NEW minicomic copies of Mappin’ the Floor, my oceanographic travelogue from a Pacific Ocean crossing with R/V Falkor and the Schmidt Ocean Institute! Supplies are limited, so these puppies will be first come, first serve.
I’ll also have copies of Baggywrinkles, A Life in Objects, and various adventurous travelogues for sale, plus my trusty squeaky shark for your squeaking pleasure. I hope to see you there! It should be a rollicking good time.
Big news this week: I’m heading to New York for my first-ever appearance at the MoCCA Arts Festival this Saturday and Sunday.
You can find me in the Second Floor Lounge with the gang from Patreon, hawking copies of Baggywrinkles, gold-foil box sets from my 2016 100-Day Project, minicomic travelogues, and assorted treats. I’ll look something like this:
If you’re planning on stopping by, do come say hello. I’d love to see you.
It’s that time of year, friends! I’m dusting off my tally sheets and readying my show banner for the first major convention of 2017: Emerald City Comic Con!
A couple important notes:
My table location has changed this year. If you’re used to finding Periscope Studio (now Helioscope) in a block by the men’s restrooms in the farthest exhibition hall, CHANGE YOUR MAPS. We are now tabling upstairs in the new and improved Artist Alley section! The ECCC team (last I’d checked) were still updating their guest listings, so if you get lost and want to locate us, just look up Helioscope on the artist listings. If you search by my name, it might not show up.
Show hours are Thursday (2pm-7pm), Friday (10am-7pm), Saturday (10am-7pm), and Sunday (10am-5pm, though it’s likely I’ll have to leave a little early. If you’re only coming Sunday, stop by before 1pm!).
Here’s a map to help orient yourselves:
I’ll also be appearing on a panel with my lovely friends Dylan Meconis, Kory Bing, and David Malki ! all about turning your weird passions and outlandish interests into viable creative careers. That’ll be happening Thursday afternoon (3pm-4pm) in WSCC 604. Can’t make the show? Never fear—I’ll be recording the panel and adding it to my growing library of educational resources on SoundCloud. Oh did I mention we’re gonna be giving away FABULOUS PRIZES? We’re gonna be giving away FABULOUS PRIZES.
Speaking of fabulous prizes:
I’ve printed up a special run of ashcan minis from my latest adventure, an oceanographic research trip across the Pacific Ocean. If you’re among the first 25 people to stop by my table and mention this post, you’ll get one for free!
If you don’t make the giveaway, never fear. I’ve got rockstar colorist Joey Weiser (remember the great work he did on Baggywrinkles?) turning these pages into full-color gems. Here’s a sneak peek:
I CAN’T EVEN TELL YOU HOW EXCITED I AM SO HERE IS KERMIT INSTEAD:
Greetings, friends! It’s me again, your friendly neighborhood Artist-at-Sea-on-a-Research-Ship-with-WiFi-in-the-Middle-of-the-Pacific.
This week we’re doing something really fun: a live Q&A on Google Hangouts! I’ll be sharing illustration work from the voyage so far on R/V Falkor, talking about the joys and challenges of drawing comics at sea, and answering YOUR questions! If you want to ask something, fire away in the comments on this post, on the Facebook event page, or on Twitter. I’m collecting questions all week.
You can also hop in the chat box during the call to ask questions in the moment, but the more I know about ahead of time, the more I can prepare to show you, like my mobile drawing setup:
It’s all happening this Friday, January 13th at 11am HST/1pm PST/4pm EST. You can RSVP on Facebook here, or just join the call directly by clicking this link when the time comes.
One the best things I did last year, hands down, was attend the Alaska Robotics Mini-Con and Comics Camp up in Juneau, AK. In addition to a super-sweet one-day con in a quirky, beautiful town, it also featured three days of camping with a host of incredible creators—cartoonists, musicians, writers, financial advisors, and A LAWYER (not just any lawyer, either, theKatie Lane, dispenser of exceptional wisdom to the creative stars). We all got to sit around the campfire, play games, share experiences and advice, learn about each other’s hidden talents, and explore the Alaskan wilderness. It was a dream come true.
I’ve been yearning more and more for these kinds of experiences—the ones that tend to happen around the fringes of commercially-driven conventions—and Pat and his team have really hit on something special. I learned so much last year, and gained so many new friends. It was also fantastic to have newer creators rubbing shoulders with some of the industry’s most incredible and prolific superstars—just a really nourishing, humbling week all ’round.
So here’s the deal: you can send in an application here. Trip dates are April 21st-25th, 2017. You don’t have to be a cartoonist to come. There’s FINANCIAL AID (which totally made the difference between me being able to go and not last year). It’s going to be great.
I’m writing today from the outer lounge of R/V Falkor, the research vessel I’m currently working on as an artist-in-residence. At this very moment we’re motoring through the middle of nowhere, but thanks to our Very Small Aperture Terminal (VSAT) there’s satellite Internet on board!
The science team on board are surveying the ocean floor using multibeam mapping, and I’m doing my darndest to learn all I can about their methods and draw a summary comic for the Schmidt Ocean Institute during our 3-week transit from Guam to Honolulu.
We’re collecting data all the way, but our specific area of focus is the seafloor around the Johnston Atoll, which has never been mapped using this particular technology.
So far the trip has carried us across hundreds of miles of the Pacific, with roaring trade winds tossing the spray into white crests around the ship. I’ve never done an open-ocean crossing like this one before, so it’s been even more of a thrill than usual to scramble up the companionway every morning to drink in the view.
The crew are very welcoming and ready to assist with the science operations, and we’ve been having daily lectures on subjects like the Mariana Trench and its surrounding islands, the history of sonar, and the intricacies of multibeam data.
Since it’s not every day you find yourself on a state-of-the-art research vessel, I thought I’d answer some general questions from Twitter! Here’s what everyone was curious to know:
How loud are the engines?
Quite loud on deck! My berth is two decks down, so it’s fairly insulated from the noise when I’m sleeping at night, but there’s a general rumble at all times. Between the rush of the wind and sea and the roar of the engines, you have to speak up to be heard when you’re outside.
How are day-to-day tasks different here than on a sailing ship?
Unlike previous trips where I’ve been embedded with a tall ship crew, there’s not much for me to do here from a vessel maintenance perspective. There are no lines to haul or sails to furl—the crew generally keep themselves occupied with navigation, engineering work, and watchkeeping duties. There’s still lots for them to do, but a lot of it is outside my area of expertise, so I’m getting on with the drawing work.
The science team is monitoring the control room as we map the ocean floor to get a sense of what we’re passing over, the marine technicians are processing data and making sure the systems and sensors stay online (you can even follow live cruise data here), and the housekeeping staff do an amazing job of keeping everything spick and span. The vessel is more of a floating research station than anything, so there are more departments with greater specialization, rather than a collective team who all take turns handing various tasks.
This leaves me somewhat at loose ends—I’m used to being more active—but I’ve got my work cut out for me when it comes to creating this comic, so I’m taking all the time I can to draft blog posts, work on outreach projects, and script the story that will explain our time here to the outside world.
How does the vessel handle?
Given that we’re motoring against the trade winds, the ride has been a little choppy. We did adjust our course to a lower latitude so that the wind is coming at us aslant rather than right on the nose, which means we’re not being slowed down quite as much. In the next few days we’ll turn north toward the Johnston Atoll.
There are stabilizers on board, which help keep things relatively level, but we still make liberal use of Non-Slip Shelf Liner—just like I do back home on my angled drawing board!
How are you getting along with the scientists? Was there any friction to start?
The science team are fantastic! We have a wide range of specialties, so I’m learning a lot about the terrain we’re covering from various angles (oceanographic, geologic, etc.). They’ve all been very patient with my barrage of questions about how things work and the lengthy time it takes for me to work out anything mathematical.
Is there a lot of turnover in the research crew?
Different research teams join Falkor every time there’s a new cruise. This particular trip is unique in that it’s a hybrid Transit Cruise. The ship needed to get back from Guam to Hawai’i, and John Smith (our lead scientist) applied to piggyback some of his mapping research on top of the already-scheduled travel days. All three of the science crew have been aboard Falkor before for various other research trips, so while there’s a high turnover from trip to trip, the overall pool of people associated with the vessel is pretty well-connected.
There are five of us “outreach” crew members: myself, Andrew (Graduate Student from Guam), Brocks Jr. and Sr. (Ambassadors from 11th Hour Racing, a program of the Schmidt Family Foundation, and Sail Martha’s Vineyard, a maritime training program benefitting underserved populations on the island of Martha’s Vineyard), and Jena (High School Teacher from Hawai’i).
Is there an initiation rite for new crew?
I’ll get back to you. So far nobody’s covered me in krill.
What’s the best part? What’s the worst part?
Best: Working on deck with the whole world swaying and the air whipping around like warm silk—especially after months of Pacific Northwest winter.
Worst: Trying to draw straight lines in a rough seaway.
What’s everyone eating?
Our chefs, Peter and Greg, are magnificent. Before I arrived a lot of the shoreside support team were cooing about how lucky I was to be going aboard because of the food, and now I see what they were talking about. In addition to a steady supply of snacks and treats, we get really magnificent meals three times a day (with an extra late-night meal for those standing watch). I mean, just look at this New Year’s Day feast:
Wait, I thought pigs were bad luck on boats?
I hadn’t heard that one before! (Most of my interest in pigs has been around their history as a good luck tattoo.) A cursory Google suggests that pigs are considered bad luck specifically on fishing vessels, which might explain why I hadn’t heard of the notion before. If anyone has anecdotal evidence: leave a comment!
What are the bathrooms like?
Ahh, the perennial question. Like everything else on the vessel: SUPER NICE. I’m so impressed by the standards of cleanliness and design everywhere on this ship. The heads (that’s what they’re usually called on board) are relatively small, but well cared-for, clean, and modern. I’m used to the old torture-chamber-type pump action heads, but these ones flush with the touch of a button like a standard toilet.
The major restriction: only toilet paper can go down them—absolutely no chemical cleaners—because the waste system is biological! The bacterial colonies responsible for breaking down waste in the blackwater tanks are very sensitive, so we can only use a special cleaning solution for the toilet bowls. I’ll see if I can’t snag the chief mate and find out a little more about how this specific system works, since I’m curious myself.
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That’s probably enough for today, so I’ll get back to sketching this very complicated-looking hydraulic sea crane. If you have more questions about life at sea, drop me a line in the comments or on Twitter at @LuBellWoo! You can also read up on the rest of the cruise outreach by following #MappinTheFloor on Twitter, Instagram, and Facebook.
Just a pre-holiday note to let you know that I’ve opened up a shop on INPRNT, a fabulous service that prints and ships gallery-quality artwork on my behalf. This is a great solution for independent creators, since producing, storing, and shipping prints is a substantial effort that I can’t afford to sustain on my own. I’m so glad to finally have a service I trust on board to help me get you beautiful, affordable artwork for your walls.
If you’ve been lusting after one of my watercolor paintings, or perhaps that handy guide to the secret meanings of sailors’ tattoos, INPRNT is the place to go! (If you ever lose the link, it’ll always be up top under the Shop menu on this website.)
The time has come for me to fly away for my FINAL convention of 2016!
This has been a very, very busy year indeed, but I’m planning to go out with a bang at the wonderful Thought Bubble Festival November 5th and 6th in Leeds. If you’re a UK reader, now’s your chance to get Baggywrinkles, A Life in Objects, Bombshells, Irene #6, and all my minicomics without having to pay those pesky international shipping fees!
I’ll be away in the UK for two weeks total, mostly seeing family and friends since I don’t get to come out very often, but I might see about staging another sketch crawl while I’m in London. Drop me a line on Twitter if you’re interested.
Here’s a map of the Royal Armouries Hall (one of the show’s three exhibition spaces), where I’ll be exhibiting at Table 67. There’s also a load of other wonderful creators in the same hall. I’ve taken the liberty of pointing out some of my favorites on the map below.
I’ll also be on a Sunday panel with the great Dan Berry (whose podcast I had a really amazing time guesting on here) talking about MONEY IN COMICS. I’ve got a lot to say about this one.
If you’re coming out, be sure to let me know! I had a great time at Thought Bubble two years ago, and I really can’t wait to see everyone again. Tickets for the convention are available right here.
As for all you American pals, I’ll see you at the end of November!
A little promotional chat this week: I’ve got a new box set collection available in my store!
If you recall I tried my hand at participating in The 100 Day Project this year, drawing a thing a day every day for 100 consecutive days from April to July. I documented a bunch of meaningful objects in my life, complete with context—a miniature museum of personal history.
Here are all the finished entries in one big sheet:
Once the illustrations were done, I wanted to bring them into one location at the same size they were drawn, so I contacted some printing friends of mine at Eberhardt Press and Twin Ravens Press to create sets of pocket-sized replica notebooks and a handsome, gold-foil slipcase to hold them in. Here’s my original mockup of the booklets, with a die-cut cover:
Once I’d figured out the basic format, I went hunting for the right kinds of endpapers. Kristin at Twin Ravens had sold me on the idea of doing gold foil on the boxes, so I wanted something to match:
BINGO.
A lot of frenetic proofing and printing and cutting and folding later, we ended up with boxes that could be cut out and assembled without any glue! And a lot of handsome booklets to go inside them.
Then my life became a long chain of assembly line time (500 box sets is a lot of box sets). I folded boxes at home, at the studio, at coffee shops, behind my table at SPX, and on planes:
A couple weeks of that yielded shippable box sets that winged their way to folks around the globe, which is my absolute favorite part of the process.
Here’s a little video walkthrough of the final result:
I’m so excited to have these new beauties out in the world. If you’d like one for yourself, they’re available exclusively through my store right now. Enjoy!