2022 in Reading

Back at it and even less able to provide commentary than I was this time last year, but hot damn I love books.

(Previously: 2021 in Reading)

LegendRough Guide to Ratings
🎭 – Plays
📝 – Poetry
📖 – Books (Fiction)
📓 – Books (Nonfiction)
💬 – Graphic Novels
❤︎ = Yes
❤︎❤︎ = Oh Yes
❤︎❤︎❤︎ = Oh Hell Yes
❤︎❤︎❤︎❤︎ = Priestdaddy
  1. 💬 Five Worlds: The Sand Warrior – Mark Siegel, Alexis Siegel, Xanthe Bouma,  Matt Rockefeller,  Boya Sun
  2. 📖 Pirate Freedom – Gene Wolfe
  3. 💬 Thirsty Mermaids – Kat Leyh ❤︎❤︎❤︎
  4. 🔄 📖 Going Postal – Terry Pratchett ❤︎❤︎
  5. 📖 A Dark and Starless Forest – Sarah Hollowell
  6. 📖 Northanger Abbey – Jane Austen
  7. 🔄 📓 The Do-it-yourself Guide to Fighting the Big Motherfuckin’ Sad — Adam Gnade 
  8. 💬 The Daughters of Ys – M.T. Anderson, Jo Rioux
  9. 📓 How to Live, or A Life of Montaigne – Sarah Bakewell
  10. 🔄 📓 Burnout – Emily & Amelia Nagoski
  11. 🔄 📖 Small Gods – Terry Pratchett ❤︎❤︎
  12. 📓 At the Center of All Beauty: Solitude and the Creative Life – Fenton Johnson ❤︎❤︎
  13. 📖 A Psalm for the Wild-Built – Becky Chambers ❤︎❤︎
  14. 📖 Luster – Raven Leilani ❤︎❤︎❤︎
  15. 📓 A Primer for Forgetting – Lewis Hyde ❤︎❤︎❤︎
  16. 📓 The Artist’s Way – Julia Cameron ❤︎❤︎❤︎
  17. 📓 Tiny House Living – Ryan Mitchell
  18. 💬 Amulet Book 1 – Kazu Kibuishi
  19. 💬 Amulet Book 2 – Kazu Kibuishi
  20. 💬 Amulet Book 3 – Kazu Kibuishi
  21. 💬 Amulet Book 4 – Kazu Kibuishi
  22. 💬 Amulet Book 5 – Kazu Kibuishi
  23. 💬 Amulet Book 6 – Kazu Kibuishi
  24. 💬 Amulet Book 7 – Kazu Kibuishi
  25. 💬 Amulet Book 8 – Kazu Kibuishi
  26. 📖 Doctor Zhivago – Boris Pasternak
  27. 📖 River of Teeth – Sarah Gailey ❤︎
  28. 📓 The Four Agreements – don Miguel Ruiz
  29. 📖 The Echo Wife – Sarah Gailey ❤︎❤︎
  30. 📓 When Strangers Meet – Kio Stark
  31. 📖 Sing, Unburied, Sing – Jesmyn Ward ❤︎
  32. 🔄📓 The Sabbath – Abraham Joshua Heschel ❤︎
  33. 📓 On Imagination – Mary Ruefle
  34. 📓 The Timeless Way of Building – Christopher Alexander ❤︎
  35. 🔄 💬 Mighty Jack – Ben Hatke
  36. 💬 Dancing at the Pity Party – Tyler Feder
  37. 💬 Zita the Spacegirl – Ben Hatke
  38. 📖 A Gentleman in Moscow – Amor Towles ❤︎
  39. 📖 The Decagon House Murders – Yukito Ayatsuji
  40. 💬 Salt Magic – Rebecca Mock & Hope Larson
  41. 📖 Lies Sleeping – Ben Aaronovitch
  42. 🔄 💬 Mighty Jack & Zita the Spacegirl – Ben Hatke
  43. 💬 Making Comics – Lynda Barry ❤︎❤︎❤︎
  44. 📖 A Master of Djinn – P. Djèlí Clark
  45. 💬 Coyote Doggirl – Lisa Hanawalt
  46. 🔄 💬 Mighty Jack and the Goblin King – Ben Hatke ❤︎
  47. 💬 Can’t We Talk About Something More Pleasant? – Roz Chast ❤︎❤︎
  48. 📖 Fair Play – Tove Jansson ❤︎
  49. 📖 Plus One – Christopher Noxon
  50. 💬 Berlin – Jason Lutes ❤︎❤︎
  51. 💬 Your Illustrated Guide to Becoming One with the Universe – Yumi Sakugawa ❤︎
  52. 📖 Matrix – Lauren Groff ❤︎❤︎❤︎
  53. 💬 Belonging – Nora Krug ❤︎❤︎
  54. 💬 My Depression – Elizabeth Swados
  55. 💬 This Woman’s Work – Julie Delporte ❤︎❤︎❤︎
  56. 📖 Shadowshaper – Daniel José Older
  57. 💬 Genderqueer – Maia Kobabe
  58. 📖 Full Dark House – Christopher Fowler
  59. 📓 Polysecure – Jessica Fern
  60. 📖 Spear – Nicola Griffith
  61. 💬 Dying for Attention: a Graphic Memoir of Nursing Home Care – Susan MacLeod
  62. 📓 300 Arguments – Sarah Manguso ❤︎
  63. 📓 More Than Two – Franklin Veaux & Eve Rickert
  64. 📖 Unclean Jobs for Women and Girls – Alissa Nutting
  65. 📓 Notes from Walnut Tree Farm – Roger Deakin ❤︎❤︎❤︎
  66. 📓 Unmastered, A Book on Desire, Most Difficult to Tell – Katherine Angel ❤︎❤︎
  67. 📖 Maxwell’s Demon – Stephen Hall
  68. 📖 Magic for Liars – Sarah Gailey
  69. 📖 A Prayer for the Crown Shy – Becky Chambers
  70. 🔄📓 Pilgrim at Tinker Creek – Annie Dillard ❤︎❤︎❤︎ (last read in 2017)
  71. 📓 Everybody: A Book About Freedom – Olivia Laing ❤︎❤︎
  72. 📖 Detransition, Baby – Torrey Peters ❤︎❤︎❤︎
  73. 📓 The Joy of Small Things – Hannah Jane Parkinson
  74. 📖 Fisher of Bones – Sarah Gailey
  75. 📖 The Spy Who Came in from the Cold – John le Carré
  76. 🔄📓 100 Essays I Don’t Have Time to Write – Sarah Ruhl
  77. 📓 Tomorrow Sex Will Be Good Again – Katherine Angel ❤︎
  78. 📖 Toad – Katherine Dunn ❤︎
  79. 📖 No One is Talking About This – Patricia Lockwood ❤︎❤︎
  80. 📖 The Impossible Us – Sarah Lotz ❤︎❤︎❤︎
  81. 💬 Sheets – Brenna Thummler
  82. 📓 Priestdaddy – Patricia Lockwood ❤︎❤︎❤︎❤︎
  83. 📖 Upright Women Wanted – Sarah Gailey ❤︎
  84. 📖 When We Were Magic – Sarah Gailey
  85. 📓 Emergent Strategy – adrienne maree brown ❤︎❤︎
  86. 📖 The Daughter of Time – Josephine Tey
  87. 📖 Fantasian – Larissa Pham ❤︎
  88. 📓 A Handbook of Disappointed Fate – Anne Boyer ❤︎
  89. 📓 Love – Leo Buscaglia
  90. 📓 Delight – J.B. Priestley ❤︎❤︎

They are both darkness: they are both lights.

(All these quotes are from A Handbook of Disappointed Fate, Boyer’s collection of essays on poetry, illness, avant-garde creative movements, mutual aid, reading, and crushes.)

After I got sick in late summer 2014, I followed U.S. poetry only from afar, as if walking by a shop window and glancing at it through a glass, even the most necessary uproar too expensive to my health for me to even think of buying […]

This rang so true to how these last two years have changed my relationship to the comics industry—a space I never felt particularly enmeshed in to begin with. Every discussion of online drama or publishing upset or new technology costs far more than I have capacity or inclination to spend. A relief, in some ways, to have that decision taken away from me.

My time in the time of illness has been unmeasurable or ir-measured or a-measured. Yet despite how this time can no longer steadily or predictably submit itself to clocks and calendars, for survival’s sake I still have to try to measure it.

Underlined this because I’m doing my annual workbook on the couch right now, surrounded by a corona of calendar pages and journals and sketchbooks, trying to piece together the fragments of a lost year.

The harm can be studied like anything, every wept tear a textbook, every minute of shallow breathing a monograph, seven hours and fourteen minutes of a sleepless night a textbook a tedious-to-read but potentially useful dissertation on having existed.

It is not as if what is true, right, urgent, and necessary is a light, and what is harm is the darkness. They are both darkness: they are both lights.

yes yes yes yes

15. There will be a lot of sewing last year’s fragments with this year’s threads.

And also:

Poetry is revenge porn against the self by the self.

And finally:

As grim as reading has been for me, reading is not only the private amplification of the human worst. Reading is not merely escapism and militant solitude and everything shirked–that is, reading is not an act exclusive to words and books–and a person can also read the patterns of migrating birds or the lines in a soon-to-be-lover’s palm or the buds of oak trees or the damaged look in an eye or the danger headed this way or the people amassed in the streets. The world existed before books, and it always exists outside of them, and how a person should read is how a person must read, which is at least in duplicate, both always in this world and looking for another.

💛

Travel-Based Urgency

Another old thought from my to do list app, now going the way of other Old Thoughts and finally getting added to the site:

There are lots of reasons I used to be “more effective” in my life, more capable of generating output or crossing off tasks, but part of me wonders if the lack of travel since 2020 is part of it. I got so much done before leaving for Wayward in September—far more than I really needed to. Tasks and projects that could very easily wait until my return became impossibly urgent. Items that had sat unattended in my notebook for months suddenly leapt to the head of the queue. It got me thinking about how often I used to travel for conventions and book tours and residencies, and what effect that must’ve had on my ability to Get Shit Done.

Any impending departure drives me to put my affairs in order as if I’m about to set out on a doomed expedition to the South Pole. It’s an old act-out, but one that’s served me for a long time.

It stands to reason that traveling less often robs me of these false bottlenecks of urgency.

What can I replace them with?

Wonders of the Sea

Back at the start of March I uncovered this cookbook in our overstuffed kitchen shelf. It’s incredibly upsetting, even for something designed in the 60s.

A photo of a hand holding a paperback book titled Madame Prunier's Fish Cook Book. There's sickly yellow background color to the text and a large, unappetizing photograph of a sting ray below it.

NOBODY WANTS THAT ON A BOOK ABOUT FOOD.

But the original text, I should mention, is from 1939. And when I cracked it open I was surprised to find that the illustrations were incredibly cool.

A photograph of a yellowed page from a book featuring delicate black and white illustrations of sea creatures.
A photograph of a yellowed page from a book featuring delicate black and white illustrations of sea creatures.

Look at those lines! So stylized! So energetic! And the compositions!

Turns out the interior artist is one Mathurin Méheut (1882-1958), a French painter I’d never heard of before. When I went searching for more of his work, I found a treasure trove. Méheut had spent two years before WWI working with naturalists at the Roscoff marine biology station—a collaboration that resulted in two enormous volumes of gorgeously-depicted marine life.

And, to my immeasurable delight, both of them are available online via RISD’s library.

Small sea grasses and weeds painted in color on a white background.
A delicate painting of kelp and seagrass rendered in color.
A gorgeously detailed illustration of several tiger sharks on toned paper.
A gorgeously detailed illustration of several cuttlefish on toned paper.
Two watercolor paintings of sting rays in yellow and purple.

I love stumbling on illustrative work like this. It feels so modern! There’s a level of stylization that really reminds me of Jemma Salume’s animal studies.

Three illustrations of an iguana in various poses
Three illustrations of an octopus in various poses
Three illustrations of a great blue heron in various poses

I also can’t help thinking about the work of Leopold and Rudolf Blaschka, the father-son team known for creating the most exquisite glass models in human history. Their success lay in capturing the shapes and colors of marine invertebrates at a time when methods of preservation typically left specimens looking like so much indistinguishable mucus.

This octopus? GLASS.

A detailed model of a small orange octopus crafted from glass

This cactus? ALSO GLASS.

A detailed model of a strawberry hedgehog cactus crafted from glass

Unreal. (And well worth a visit if you ever find yourself near the Harvard Museum of Natural History.)

In the process of writing this post, I learned that Leopold fell in love with marine invertebrates in 1853, when the ship carrying him to America was becalmed for two weeks near the Azores. His wife and his father had just died within a few years of each other. The trip was something of an escape.

I think about him, adrift and grieving in the middle of the ocean, with nothing to do but stand on deck in the night and pay attention.

Hopeful, we look out over the darkness of the sea, which is as smooth as a mirror; there emerges all around in various places a flashlike bundle of light beams, as if it is surrounded by thousands of sparks, that form true bundles of fire and of other bright lighting spots, and the seemingly mirrored stars.

Little wonders all around.

Sit.

In caregiver support group, someone says “I would like to sit longer with joy,” and my body responds with an instantaneous shower of chills.

There is an urgency to life right now. It feels like nothing can wait.

At dinner immediately after, I catch myself leaping out of my seat at soon as the last forkful of food has entered my mouth. I stop, sit back down, close my eyes, take a deep breath. More chills. I feel my gut unclench.

I did it again this morning at breakfast, jumping up like there’s a fire in the kitchen and I have to rush to put it out. But there’s no visible fire, just the slow, underground burn of his decline. Miles and miles of it stretching under everything.

But still.

I would like to sit longer with joy.

Hollerin’

It felt as if everyone else had already read Priestdaddy and I was last person to arrive at the Priestdaddy Party and yet when I scream at anyone in earshot about how this is the funniest book I’ve read in years, many of them haven’t heard of it at all. A reminder, then, to holler about the things we love, never assuming they’re old hat to those around us. We can always be the catalyst for someone’s next foray into joy.

“You can be a carpenter this time around.”

A lovely short post by Dave Rupert about platforms and silos and what we’re getting out of being in online spaces. Having been largely absent from social media since becoming a caregiver, I don’t feel a lot of Loud Feelings about the implosion of Twitter.1 I do feel the urge to encourage folks, as Dave does, to “pour a foundation for your own silo or home.” A personal website is a lovely thing. Nobody will buy this platform and use it as their personal plaything. No advertisers will boycott and send me scrambling to produce different content. No seed funding will run out overnight.

But as Robin said: “It’s not enough to make some­thing and post it online; you must also inject it into some channel that will carry it to peo­ple.”

For now, that channel is mostly RSS, with the occasional direct share to Discord and Slack. I’ve contented myself with carrying these posts to far fewer people of late, and maybe that trend will continue. I’m toying with the idea of Dunbar’s Digital Number. How many meaningful online relationships can I maintain? The number shifts dramatically given what I’m doing in the rest of my life, and the fact is that I’m currently walking around with overwhelming emotions sloshing perilously close to my airways at all times. So I don’t let myself worry over what will become of Twitter, even though it brought me so many treasures and connections and friendships and opportunities over the years, because I’m doing as Dave suggests and pouring value into myself.

That’s enough for now.

1. This might change when it’s time to promote my next book and I emerge from the bunker to find tumbleweeds where my weird and far-flung online friends once stood, but that’s a problem for Future Lucy.