Category: Art

Comics

New Comic: A Week at Sea with OHP

I’ve put a new comic up this month! To fight off the winter chill, here’s a travelogue from my week of sailing aboard the Oliver Hazard Perry back in August/September.

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This trip with OHP was a great opportunity to refine my practice of joining organizations as an embedded cartoonist, merging the duties of a deckhand (line handling, climbing aloft, maintenance, etc.), educator (teaching classes on scurvy and nautical trivia with Baggywrinkles as my de facto textbook), and artist (frantically sketching the students and their activities at every turn). Each trip I take I feel like I’m getting a better handle on this format, and how best to adapt it to different kinds of experiences.

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You can read the whole comic online right here, or purchase a copy in print via my store.

While I completed all the artwork during my time aboard, getting the scanning, cleanup, and formatting squared away in-between all my traveling from August to November proved tricky, hence the lengthy lagtime. I’m thrilled to finally have it all put together. Here’s a look at the trip in photos:

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The Oliver Hazard Perry is America’s newest sail training vessel. You can learn more about her and her programs at OHPRI.org.

Big thanks to my supporters on Patreon for making this comic possible! If you want to join them and get a behind-the-scenes look at these pieces as they come together, head on over here.

 

 

Art, Illustration

Time-Lapse Boats

I had a ton of fun wrapping up these watercolor paintings for my top-tier backers on the Baggywrinkles Kickstarter last week. Here’s a look at the final lineup of paintings:

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Clockwise from upper left, we’ve got El Galeon (hiding behind PDX YAR’s First Mate), L’Hermione, Brig Niagara, and Kalmar Nyckel (in disguise under a different paint job, for reasons outlined in this Tumblr post).

In the process of getting all of these done, I learned a bunch about making time-lapse videos, which you can check out below:

And if you’re curious about the tools used for these projects, here’s a sneak peek at a post I put up for my supporters on Patreon all about my watercoloring setup:

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I put up an informative essay each month about some aspect of my creative process, along with a load of other content for folks to read/watch/listen to/generally enjoy. I serious adore Patreon as a platform for making more of this work possible, so if you haven’t already checked it out, go take a peek! (There’s a lot of free stuff there, too, if you don’t want to commit to chucking some money my way each month.)

More news coming next week! Stay tuned.

Comics

New Comic: Sail Cargo Resurgence

Hey friends,

Fittingly, I’m writing this blog post from the deck of the Oliver Hazard Perry, a new tall ship in Rhode Island that I’m currently working aboard as a visiting artist. But that’s secondary to the following exciting news of the day: I’ve got a new comic up on The Nib!

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For the last few months I’ve been researching and illustrating this brief introduction to the modern world of sail cargo—a movement driven by environmentalism, optimism, and countless volunteer hours. There are a surprising number of operations around the world working to convert tall ships into viable cargo-carrying vessels—or build new ones from the ground up.

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It’s a trend I find deeply fascinating, and my only regret was not being able to fit more of my research into this introduction. The sailors working on these vessels are the embodiment of enthusiasm and dedication, and I really enjoyed talking with them during my research.

Of particular interest right now: Sailcargo Inc. are launching their Kickstarter to build a dedicated cargo vessel (Ceiba) from scratch in Costa Rica! Keep an eye on their website for details on the launch.

Fairtransport are also making great strides in building a coalition of sail cargo vessels around the world. Their website has a wealth of information, including vessel tracking and more. View all the ships in their network here.

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Brigantine Tres Hombres, Photo Credit Hajo Olij

Of course there are also efforts being made to implement modern sailing technology on existing container ships at a grander scale. To learn more about the DynaRig technology behind parts of that movement, check out this article. There’s some fascinating stuff afoot, and even though it’s moving slowly, progress is being made.

I’ll have more news after my week aboard the Perry, but until then, enjoy the comic!

Fair winds,

Lucy

Art

A Life in Objects: PDF & Print Edition

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As you may’ve noticed, I’ve spent the last three(ish) months working on The 100 Day Project, a creative game of sorts where participants try to create something every day for 100 days. I chose to illustrate meaningful objects from my life with little vignettes of text.

The final collection, A Life in Objects, is now up for sale! I’m printing a facsimile edition in three, 40-page pocket notebooks—the same size as the originals (3.5×5″)—with a fancy belly band.

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The books will be printed locally in Portland at Eberhardt Press, and I’m hoping to debut them at SPX in September.

If you absolutely can’t wait to read the whole thing, why not buy the PDF edition on Gumroad? I promise it’s got all the same treats inside.

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I’m incredibly proud of how this collection came out. More news to come once the printed books are on their way!

Comics, News

Baggywrinkles Available on ComiXology

If all this Baggywrinkles news has you itching to read the book before it officially hits shelves on September 9th, I have excellent news: the book is now available on ComiXology!

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Big thanks to the team at ComiXology Submit for getting the book up and running on the site, and for giving it pride of place in the Indie New Releases section. We also got a lovely shout-out on Dave Carter’s Digital Comics Picks of the Week feature, alongside fabulous titles like Lumberjanes, Island, The Fix, and Howard the Duck! Thanks, Dave.

Buy the ebook edition here.

The Baggywrinkles East Coast Book Tour is still going strong, with three stops left on the docket. Here’s a reminder of those dates:

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If you’re planning on heading to New York or D.C., be sure to RSVP and invite your friends on Facebook. Here’s the event page for Fantom Comics in D.C., and here’s the one for the South Street Seaport Museum in New York!

See you soon,

Lucy

Art

Light in the Eyes

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Something a little different today: a process GIF from a recent illustration commission! This cat portrait was done start-to-finish in Manga Studio with Frenden’s blue pencil and Hairpin Sable inker brushes.

You notice how the cat really comes alive in that last frame when the white highlights in the eyes come into play? Every time I add those to a piece I get this really vivid memory of going to art classes as a kid.

My teacher’s name was Sharon Butler. She was a realist painter from South Africa who painted waist-high stones to look like living cheetahs, crouching in the greenery outside the studio. The two rooms in her establishment were filled with the perpetual, chalky scent of pastels and Prismacolor pencils. We’d get pieces of illustration board handed out every time a new project began, cut down to the appropriate size. I completely lost track of time every session I spent there. My only job was drawing, as well as I could.

This was pre-internet, so Sharon kept a morgue file in the inner room. It was a metal filing cabinet—dull beige and taller than I was at the time—crammed full of photos and magazine clippings. There were folders for horses and dolphins and birds and architecture and chairs and people and costumes. Every manilla folder had a grouping by subject, and since Google simply wasn’t around yet we’d fight over who got the best picture of the dolphin to draw from.

I drew a lot of animals when I went to those classes with Sharon. She’d stop by while I was struggling to render a hummingbird as something other than a crude cartoon, giving suggestions on how I could better train my eye to see what was actually in front of me. The second-to-last touch, before the fixative stopped our pastel smudges from scattering off the page, was to add a dot of white in each eye. She taught us to use a Q-Tip or the back end of a paintbrush.

At the time it felt like wizardry—the amount of life that tiny dot of white could bring to an otherwise flat animal.

It still does, kind of.

Art, Illustration

The 100 Day Project

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Those of you following me on social media may’ve noticed a new series of drawings going up over the last couple weeks! I’m participating in The 100 Day Project, which comes to us via Elle Luna and The Great Discontent. The premise of this project is simple: make something every day for 100 days. That’s all. Could be anything; a written word, a cake, a joke, a drawing, a button. I’ve actually been pitching it as a do anything for 100 days project—so one could even eat an apple a day or something similarly arbitrary. I think it’s the regularity of the ritual that’s important. There’s also value in creating something small every day and using the exercise to break down our inhibitions around perfection, but regularity breeds ritual, and ritual can take many forms.

Anyway, I’ve opted to use up the many, many Scout Books and Field Notes sketchbooks I’ve been accumulating from various events by chronicling 100 objects in my possession with words and pictures.

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Notebooks from Linework NW (designed by Lisa Congdon), XOXO (designed by Brendan Monroe), Reid Psaltis, Scout Books, and Erika Moen.

The format involves a drawing, however crude, and as much context about the item as I can cram on the page. It started here:

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And has continued apace for the last couple weeks.

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I love projects like this that require relatively little commitment on the day-to-day, but add up to something vast over time. I’m really excited to see where this goes. If you’d like to follow along, take a peek at my Instagram page or follow along on Twitter.

Art, News

“Bombshells” are Here!

So as some of you may or may not be aware, I sit next to my friend Erika Moen when working at Periscope Studio. She takes a lot of reference photos for her fantastic comic, Oh Joy, Sex Toy, and since we’re perpendicular to one another I’m in a seriously ideal position to photobomb basically all of them.

We’ve been joking about putting together a zine of all these photographic masterpieces, and this month I finally thought “Why not?” and ordered a whole bunch of them. So, without further ado, allow me to present: BOMBSHELLS.

You can grab a copy in person at Emerald City Comicon later this week! The show runs Thursday-Sunday, and I’ll have a limited number of copies on hand to sign and sell. Find me at Booth 1214 with the rest of Periscope, or head to Erika’s table just across the aisle at 1322!

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Art, Conventions, News

Emerald City: Pre-Show Commissions & Show Details

Hi friends,

Emerald City Comicon is upon us in just a couple weeks, which means it’s time for pre-show commission sign-ups!

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Here’s the drill: I have a limited number of slots for folks to get artwork done before the show—this means a little more care and attention can go into your pieces, and they’ll be ready to pick up whenever you swing by my table at ECCC! Prices and contact details can be found below.

Speaking of my table, here’s a map of where I’ll be on the show floor [Booth 1214 with the rest of Periscope]:

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(Note: I am totally not this buff and tattooed.)

Emerald City is a whopping four days this year, so there’s really no excuse not to swing by and say hello. I’m bringing lots of minicomics, stickers, prints, buttons, and anthologies, plus I’ll be taking preorders for Baggywrinkles: a Lubber’s Guide to Life at Sea (due out August, 2016).

So here’s the run-down on commissions:

1. Little Paintings (Full Color /3×4″ = $35, 4×6″ = $45)

These cuties are done on high quality cold press watercolor paper and measure either 3″ x 4″ or 4″ x 6″. Featuring a bird or animal of your choice with an optional word balloon, they’re ideal gifts or tiny talismans of your favorite beasts.

2. Pin-Ups (Full Color / 9×12″ / $70)

These are larger pieces with minimal background elements and one or two figures. More figures generally equal higher costs, but let me know what you’re after and we’ll work together to achieve it!

3. Ships (Full Color  / 12×16″ / $300)

A handsome portrait of a tall ship of your choosing on a calm (or tempestuous) sea! 12″ x 16″, full-color, lotsa rigging guaranteed. These are substantial pieces and make excellent gifts.

[A note on all commission options: if any of these strike your fancy, but you’re on a budget, ask about greyscale or ink-only work to cut the cost a bit.]

Sign-ups are limited since there’s only a couple weeks before the show, so shoot me an email at lucypcbellwood [at] gmail [dot] com and let’s get rolling! Payment for commissions is due up front via PayPal or your online money transference service of choice. All pieces will be ready for pickup at Emerald City Comicon in Seattle April 7th-10th.

See you in Seattle!

Comics

Hourly Comic Day 2016

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Hello, friends—it’s time for another installment of everyone’s favorite working holiday: Hourly Comic Day! This is my sixth(!!!) year participating which, for those of you who aren’t familiar, involves drawing a panel or two for every hour you’re awake on February 1st. It’s a lovely way to create a time capsule of your drawing style and general life trajectory over time, and I always enjoy to sense of creating something start-to-finish in a single day.

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You can read the whole story over on Medium! Enjoy—I’m really proud of how this batch turned out.

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[Previous years: 2015, 2014, 2013, 2012, and (gulp) 2011.]