Smut Peddler: Sordid Past

A few months ago I got an invite to pitch a comic for the latest installment of Smut Peddler, the wildly popular, sex-positive anthology series from Iron Circus Comics. The current volume, Sordid Past, captures sexy escapades from days gone by, making this the first time my track record of drawing comics about both maritime history and sex toys (and also the intersection thereof, sort of) has paid off in the form of a professional opportunity. Never again will I joke that my brand is in tatters; THERE IS ROOM FOR EVERYTHING!

The book is already fully funded on Kickstarter and features a truly stunning lineup of artists. I mean, let’s start with this cover from Yuko Ota:

An illustrated book cover with gold text that says "Smut Peddler Presents" across the top and "Sordid Past" at the bottom in large type. Three people in period clothing seductively embrace on a grassy hillside. There's a tiny silhouette of a tall ship in the background.

DELIGHTFUL. (And I’m not just saying that because it features a Good Boat.) It’s also chock-full of stories set everywhere from a temple in Pharonic Egypt to a 1980s American arcade, all of them sweet and sexy and consent-driven and magical. Truly, something for everyone.

I’ll admit: I was scared to say yes to this gig. I’d never drawn Actual Sexy Comics before and the folks in this anthology are…well, they’re very good. So many skillful artists who’ve been doing this stuff for years, including people whose work I’ve followed since I was in high school.

No pressure.

Because I’m me, I said yes on the condition that I could make a comic about queer lady shipwrights plying their trade under the radar in 1750s England. This is partly because of a long-running gag that I’m some kind of Boat Pervert, but also because it seemed like a story premise I could really get excited about.

A warm-colored three panel selection from a comics page. Two women look at plans for a ship on a large desk. One of them is saying "Ah! This keel line! And the curvature on these headrails! Unf! Nobody draws timber framing like you."

Even with an exciting premise, though, it’s hard to focus on whether or not something is sexy when you’re busy desperately trying to make sure the page layouts are engaging and the anatomy is correct and the dialogue works and the colors look right while also subjecting yourself to scathing perfectionism. But! Contributor Lyndsay McSeveney had made a Discord channel for Smut Peddler artists, and with some wrangling from Harriet Moulton everyone ended up in the same digital space sharing process shots and trading feedback. Seeing all these amazing creators working through their respective anxieties over the course of the project—and cheering each other on—was an invaluable reminder that we all have our demons and hang-ups in doing this work. (You’d think I’d’ve internalized this by now having literally written a book about it but SURPRISE! I have not.)

Anyway, after a lot of self-flagellation (not like that) I managed to turn in a 12-page story I’m very proud of, and I hope you’ll pick up a copy of the book. Sordid Past funded on Kickstarter almost instantly, so this thing is definitely happening—and every $5,000 raised over the initial goal translates into a $5-per-page raise for us artists! This is such a smart move on the part of Iron Circus: limits liability for the publisher, passes Kickstarter success onto the creative team, and generally forms a more symbiotic relationship between everyone involved. I love it.

I’ll be sharing a proper process write-up (including some of the hilarious reference photos I had to come up with) over on Patreon, so join me there if you’d like to learn more.

That’s all! Thanks for reading about this very, very niche thing. I hope you enjoy it.

Atom

NB: I originally shared this post on Patreon on July 14th, 2017, just after launching the Kickstarter for 100 Demon Dialogues. I wanted to link to it in an essay I’m working on right now, but I’m also trying to consolidate my writing on my own website, so I’m reposting the whole thing here. This kind of low-key time traveling will probably keep happening.


This is a story about the first time I successfully orchestrated a theatrical cue of my own design.

I was a sophomore in high school, dipping my toes into other areas of the dramatic obsession that had consumed me from an early age. Us technical theatre students were asked to light and score brief monologues performed by members of an acting class. It was my first brush with the luminous cellophane gels that would become my livelihood for the next three years and grant me the financial freedom to travel on my own before college.

My friend Kendall was performing the opening speech from The Effect of Gamma Rays on Man-in-the-Moon Marigolds by Paul Zindel. In it, a girl describes learning about the enduring nature of the atom for the first time in her life. I’d built up a multi-hued blue Fresnel background wash and a slow, warm Source 4 from house left, carefully trained on her face and nothing more. Kendall ran through the words, savoring the phrases—a tongue of fire that screamed through the heavens until there was our sun—until she closed with three lines: 

Atom.

Atom.

What a beautiful word.

A gentle beat after that last syllable, Jon Brion’s “Row” came in, one note at a time, while the warm front light dwindled until she was just a silhouette in blue. The lilting piano carried the moment for 15 seconds and then faded into silence. 

We’d rehearsed and tried all the individual elements and fine-tuned the timing, but the first time I got to call the shots and watch as light and sound cascaded into something that heightened the emotional impact of her performance, I burst into silent, happy tears in the booth.

Orchestrating the conclusion of The 100 Day Project and launching my Kickstarter this week pushed those same buttons in ways I never could have anticipated.

When I figured out how I wanted to end the series—and I knew a few weeks in advance—I started to panic. I’d never run a daily webcomic before. The notion of an audience investing in a storyline and hanging on every page was entirely new and utterly intoxicating. I’d largely given myself permission to shoot from the hip for so much of the project. Before, there were no wrong answers. Now, it suddenly felt like I had the potential for failure. 

The last few weeks were grueling—all frantic scripting and logistical production and minutia and a million moving parts (on top of the creative work itself). It’s something that flummoxes me when people ask for advice about how to run a good Kickstarter. All I can think is “Just do everything. Work the hardest you can at absolutely everything. And then somehow, magically, it works.” And I don’t think that’s what people want to hear. “Turn thrice widdershins and sacrifice a goat” is way simpler.

Wednesday rolled around and my heart was pounding out of my chest. I’d stayed up way too late finishing the final entry. Folks had sent me photos of themselves on Twitter to draw into the panel (though they didn’t know it at the time). I’d shot reference out my own front door and fretted over the sketches and then, in a rush, poured it out. The finished project resonated with what I’d pictured in my head. It felt, mercifully, right.

At 9:55 am, I posted the final entry, closed my eyes, and counted to sixty before pushing the launch button on the Kickstarter page, and then I counted to sixty again before triggering the blog posts and the newsletters and the updates and the notifications—all these moving parts I’d carefully structured to help guide a new project into the world.  

And when people flooded in to say “YES” to the ending, and the journey, and the campaign, I discovered that all those neurons were still there, lighting up at the pleasure of seeing a well-timed cue resolve all those moving parts into something more. 

How to Kick Ass at Kickstarter (Video)

Last month I had the good fortune to return to The Animation Workshop in Denmark to teach a week-long course in their Graphic Storytelling department. You might remember the talk I gave two years ago, The View from Aloft, where I distilled my foundational philosophy about social media, online communities, and gratitude economies. This presentation follows up on that framework by talking specifically about crowdfunding and Kickstarter. Thanks to the school’s exceptional video rental equipment there’s now a very nice recording up on YouTube:

I get a lot of questions from folks looking to learn more about this weird practice. It can be the most soul-crushing, time-consuming, heart-tormenting process, but also an incredible jolt of energy, affirmation, and community involvement. Between the generous souls who support me monthly on Patreon and the people who launch individual projects of mine via Kickstarter there’s no doubt that my career would look very different without crowdfunding.

Everything that’s made my campaigns work feels like it’s come from watching my friends get smarter and better every time they launch a project, so it’s great to have this recording to pay it forward to more people. I hope some of you find it useful if you ever launch your own projects (and I hope you do).

Good luck out there!

Announcing: 100 Demon Dialogues

Hi friends,

Big, big news today! My latest project, 100 Demon Dialogues, is now live on Kickstarter!

For the past three months, as part of the 100 Day Project, I’ve been illustrating a daily dialogue with the little voice in my head who tells me I’m no good. (You might recognize him from my Inktober drawing challenges from the last couple years.)

I just drew the 100th entry this morning and I’ve been so overwhelmed by the response to the project. Hearing from people who see themselves reflected in these drawings makes my heart swell. I’ve also heard from a lot of people who want to own these comics for themselves! So here’s what we’re gonna do about that:

  1. The Books!
    • Today’s Kickstarter launch will fund both softcover and hardcover editions of the book. I am very excited about the whole thing. Here are some of the special features I’m aiming for: 
  2. The Plushies!
    • The Kickstarter will also be funding a run of PLUSH DEMONS to keep you company as you do battle with your own voices of anxiety and self-doubt. This little fella will measure about 15″ from tip to tail, and can easily sit up on any surface you care to place him on. (If you’d like to read all about what it takes to produce a plush toy from start to finish, I just did an in-depth blog post about it over on Tumblr.) Here’s a look at the prototype:
  3. The Print Shop!
    • Lots of folks asked for prints of particular demons, but since producing, stocking, and shipping 100 different print types is a massive headache for a long creator like myself, I’ve partnered with the fine folks at Buyolympia to provide archival-quality prints of any demon your heart desires. The store is almost ready, and I’ll be sure to link to it here on the blog once it’s up.

So there we go! You can read all the entries in the series here on the site, head to the campaign page to preorder books and plushies, or buy prints (very soon, I promise) from Buyolympia!

Thanks, as ever, to my amazing supporters on Patreon, who gave me the stability to devote so much time to the this project over the last three months. Y’all are the best.

LET’S GO MAKE SOME COOL SHIT.

Time-Lapse Boats

I had a ton of fun wrapping up these watercolor paintings for my top-tier backers on the Baggywrinkles Kickstarter last week. Here’s a look at the final lineup of paintings:

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Clockwise from upper left, we’ve got El Galeon (hiding behind PDX YAR’s First Mate), L’Hermione, Brig Niagara, and Kalmar Nyckel (in disguise under a different paint job, for reasons outlined in this Tumblr post).

In the process of getting all of these done, I learned a bunch about making time-lapse videos, which you can check out below:

And if you’re curious about the tools used for these projects, here’s a sneak peek at a post I put up for my supporters on Patreon all about my watercoloring setup:

watercolorsetup

I put up an informative essay each month about some aspect of my creative process, along with a load of other content for folks to read/watch/listen to/generally enjoy. I serious adore Patreon as a platform for making more of this work possible, so if you haven’t already checked it out, go take a peek! (There’s a lot of free stuff there, too, if you don’t want to commit to chucking some money my way each month.)

More news coming next week! Stay tuned.

Baggywrinkles Ebooks are Live!

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Dearest Bags and Wrinkles: I am so, so, SO excited to announce that the ebook edition of Baggywrinkles: a Lubber’s Guide to Life at Sea is now available for purchase!

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If you supported the Kickstarter campaign, you can find a download code to get the files for free in this update, otherwise it’s $7 for a bundle of two versions—high-res and slightly-less-high-res—so you can read the book from any of your devices with comfort and ease.

GetRady

Thanks to your sterling funding efforts, and the hard work of colorists Joey Weiser and Michele Chidester, the book is coming to you in full color for the first time ever! You’ll also be enjoying the publication design efforts of Allyson Haller, who did a fantastic job of wrapping the whole book in the loveliest branding a girl could ask for. This ebook also includes the complete guest art gallery with work from a stalwart crew of amazing artists. Here’s a brief selection:

PreviewKickstarterUpdate3

Ready to hop aboard? You can buoy (GEDDIT?) a copy for yourself right here:

Thank you all so much for your patience, enthusiasm, and support during the production process. Next step: printing the physical book! Stay tuned on the Kickstarter page for more news about that as the year rolls on.

Love and boats and comics,

Lucy

Baggywrinkles Now LIVE on Kickstarter!

The day is finally here, friends! Baggywrinkles: A Lubber’s Guide to Life at Sea just launched on Kickstarter and it’s time to get this sucker made. If you’re already on board and you wanna get straight to the business, here’s the page!

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Wait, what’s a Baggywrinkle?

A Baggywrinkle is furry, cylindrical device used for preventing chafing between a ship’s sails and the surrounding lines. It’s one of the most distinctive features of a ship’s rigging, made all the more ludicrous by the fact that you spend a LOT of time explaining what it is to visitors—a hard sell when it’s got such a weird name.

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But it’s also the namesake of my educational, autobiographical series about the time I’ve spent sailing on 18th-century tall ships!

So, you’re making a book?

THAT’S RIGHT. Baggywrinkles has been running in little micro-installments for five years now. With 90 pages of content under my belt I’ve finally got enough material to bind everything together into a really handsome 6″x9″ softcover collection.

I’m funding this book on Kickstarter because it allows for some really thrilling opportunities to do this collection right. You can check out the campaign page for full details, but the most important thing I want to tell you about is that if we exceed our funding goal of 15k by just $5,000 I’m going to hire Joey Weiser and Michele Chidester to render the entire collection IN COLOR.

ColorCompareSMALLER

I cannot express with words how excited I am about this possibility. LOOK AT THESE LOVELY COLORS! THE BOOK WOULD BE SO AMAZING! I mean, it’s gonna be great either way, but I’m really gunning for color.

So go check out the page and take a look through all the rewards. There’s lots to enjoy—prints, original art, special PDF bundles, and more. And thank you for being such stalwart readers and supporters. You all mean the world to me.

FOR BAGGYWRINKLES. FOR GLORY.

T-1 Week to the Baggywrinkles Kickstarter!

BOATS_Color

Ahoy, friends! I am so, so excited to announce that Baggywrinkles: A Lubber’s Guide to Life at Sea will be hitting Kickstarter July 20th.

What is Baggywrinkles, you ask? Why, it’s my educational, autobiographical comic series about living aboard an 18th century tall ship! You can read the first five issues online for free, and check out new content from the series every week on Patreon. I’ve been working on these short stories intermittently since 2010, and I’m finally ready to bring the whole bundle together under one cover.

So next Monday (July 20th) I’m launching a campaign to fund the printing of a 100-page, 6×9″ softcover collection featuring Issues 1-5, the never-before-seen-in-print Issue 6 (all about the history of scurvy), and a host of other exclusive goodies. Take a look at the finished cover design!

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I’ve been hard at work with a team of stellar professionals to make this collection something you’ll all be proud to own—we’re talking French Flaps, patterned endpapers, high-quality matte paper stock, and deliciously thick covers.

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So pattern. Very endpaper. Such nautical.

I’ve also got some really neat extra rewards. Like remember this giant guide to sailors’ tattoos I drew for the Vancouver Maritime Museum?

Photo by Erika Moen
Photo by Erika Moen

Well, I’m gonna turn it into a super fancy two-color, limited edition letterpress print in collaboration with the fine folks at Twin Ravens Press in Eugene, OR! And there’s more extra rewards to come.

This post is your official warning to watch this space (or follow me on Twitter, Tumblr, Facebook, and Instagram) for the campaign launch next week, and to keep your eyes peeled because I’ve got a very special stretch goal that I’ll be announcing once the book goes live.

I can’t wait to share more with you—stay tuned!

New Recordings: Crowdfunding & All-Ages Comics!

Hey blog friends. Just wanted to check in and let you know I’ve released two new panel recordings on my SoundCloud page!

The Modern Realities of Fundraising for Artists ran at Linework NW here in Portland this month. Tristan J. Tarwater led a great discussion on modern techniques for funding creative projects and careers through the Internet, including Kickstarter, Patreon, taxes, generosity, and many things in-between. The panelists included me (True Believer), Hazel Newlevant (Chainmail Bikini), Taneka Stotts (Beyond), and Kory Bing (Skin Deep, Borogrove).

All-Ages Comics Aren’t Limiting ran at Emerald City Comicon back in March under moderator Rachel Edidin. The panelists—myself, Jen Van Meter, Janelle Asselin, Adam P. Knave, and Sarah Gaydos—discussed the elements of great all-ages comics, where to draw the line with content, and recommendations of favorite titles.

Thanks to my generous supporters on Patreon for covering the hosting fees for these recordings!

New Disruptors Interview

downloadHey gang! I’m away on the East Coast this week, but fortunately you can pretend I’m not on a boat by listening to my dulcet tones on The New Disruptors, a delightful podcast run by Mr. Glenn Fleishman, editor of The Magazine.

We sat down and had a fabulous talk about…well, all sorts of stuff. Careers and Kickstarter and Periscope and being a young kid in a professional life that feels like it’s moving a million miles a minute. It was a real pleasure talking with Glenn, and I highly recommend the rest of the people he’s nabbed for the podcast. Diverse, compelling discussions about new media, freelancing, and other topics near and dear to my heart.

And if you enjoy the show, why not support it on Patreon? I hear all the cool kids are doing it nowadays.